LEADER 00000cam a2200649M 4500 001 on1097575890 003 OCoLC 005 20200717185822.8 006 m o d 007 cr |n||||||||| 008 190419s2019 xx ob 001 0 eng d 019 1102302529|a1103454753|a1103785945|a1105257358|a1128434843 020 9789888455621|q(electronic book) 020 9888455621|q(electronic book) 020 |z9888455761 020 |z9789888455768 035 (OCoLC)1097575890|z(OCoLC)1102302529|z(OCoLC)1103454753 |z(OCoLC)1103785945|z(OCoLC)1105257358|z(OCoLC)1128434843 037 22573/ctvfwx0mf|bJSTOR 040 YDX|beng|epn|cYDX|dJSTOR|dEBLCP|dOCLCF|dN$T|dP@U|dUKOUP |dOCLCQ|dOTZ|dOCLCQ|dSFB|dOCLCQ 043 a-cc-hk 049 RIDW 050 4 PN19935.J3 072 7 PER|x009000|2bisacsh 082 04 791.43095209045|223 090 PN19935.J3 100 1 Chang, Jing Jing.|0https://id.loc.gov/authorities/names/ no2019071176 245 10 Screening communities :|bnegotiating narratives of empire, nation, and the Cold War in Hong Kong cinema. 264 1 [Place of publication not identified] :|bHONG KONG UNIV Press,|c2019. 300 1 online resource. 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 347 text file|2rdaft 490 1 Crossings 504 Includes bibliographical references and index. 505 0 Intro; Series; Contents; Illustrations; Acknowledgments; Introduction; Part 1. Toward a Colonial Modernity; 1. Film Censorship and the Regulatory Context of Postwar Hong Kong; 2. Between Idealism and Pragmatism; Part 2. Toward a Leftist Vernacular Modernism; 3. May Fourth and Postwar Hong Kong's Leftist Cantonese Cinema; 4. Familial Address and the Aesthetics of Lunli; Part 3. Toward a Gendered Industrialized City; 5. The Nanyang Ethos and Engendering the Chinese Overseas Experience; 6. Girls in Masquerade; Coda; Glossary; Notes; Filmography; Bibliography; Index 520 Postwar Hong Kong cinema played an active role in building the colony's community in the 1950s and 1960s. To Jing Jing Chang, the screening of movies in postwar Hong Kong was a process of showing the filmmakers' visions for Hong Kong society and simultaneously an attempt to conceal their anxieties and mask their political agenda. It was a time when the city was a site of intense ideological struggles among the colonial government, Chinese Nationalists, and Communist sympathizers. The medium of film was recognized as a powerful tool for public persuasion and various camps competed to win over t. 590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic Collection - North America 648 7 20th century|2fast 648 7 1900-1999|2fast 650 0 Motion pictures|zJapan|xHistory|y20th century.|0https:// id.loc.gov/authorities/subjects/sh2010102517 650 0 Motion pictures|xSocial aspects|0https://id.loc.gov/ authorities/subjects/sh85088108|zJapan|0https://id.loc.gov /authorities/names/n78089021-781|xHistory|y20th century. |0https://id.loc.gov/authorities/subjects/sh2002006165 650 7 Motion pictures.|2fast|0https://id.worldcat.org/fast/ 1027285 650 7 History.|2fast|0https://id.worldcat.org/fast/958235 650 7 Motion pictures|xSocial aspects.|2fast|0https:// id.worldcat.org/fast/1027384 651 7 Japan.|2fast|0https://id.worldcat.org/fast/1204082 655 4 Electronic books. 655 7 History.|2fast|0https://id.worldcat.org/fast/1411628 776 08 |iPrint version:|z9888455761|z9789888455768 |w(OCoLC)1051687995 830 0 Crossings.|0https://id.loc.gov/authorities/names/n93064923 856 40 |uhttps://rider.idm.oclc.org/login?url=http:// search.ebscohost.com/login.aspx?direct=true&scope=site& db=nlebk&AN=2103342|zOnline ebook via EBSCO. Access restricted to current Rider University students, faculty, and staff. 856 42 |3Instructions for reading/downloading the EBSCO version of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 901 MARCIVE 20231220 948 00 |d20200727|cEBSCO|tEBSCOebooksacademic NEW June-July 17 7032|lridw 994 92|bRID