Cover; Contents; Acknowledgements; 1. Introduction: Why Performing Indigeneity Matters; 2. Decolonizing the Drama-Stage Conundrum; 3. The Invasion of African Culture; 4. Being and Becoming Zulu in Modern/Colonial South Africa; 5. The Idea of Cultural Villages in South Africa; 6. The Crisis of Indigenous Agency in Cultural Villages; 7. Being and Becoming a Traditional Healer in Modern South Africa; 8. Performing Indigeneity: A Global Perspective; Appendix: List of Cultural Villages in South Africa; References; Index
Summary
A decolonial critique of the agency of the colonised subject.
Local Note
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