Description |
xvi, 358 pages : illustrations, music ; 24 cm. |
Series |
Eastman studies in music,
1071-9989 ;
[v. 55]
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|
Eastman studies in music ; v. 55.
1071-9989
|
Bibliography |
Includes bibliographical references (pages 325-341) and index. |
Contents |
Part 1. Establishing an historical perspective: Musical punctuation, the analogy ; A surprisingly complex and lively picture of pointing theory ; Musical "resting points of the spirit" -- Part 2. The art of interpreting rests: Written and unwritten rests ; Punctuation vs. articulation ; Affective punctuation -- Part 3. Case studies in musical punctuation: Musical prose F.W. Marpurg's essay on the punctuation of recitative ; Musical verse Johann Mattheson's "curious specimen" of a punctuated minuet -- Afterword -- Appendix A: Translation of Marpurg's Lessons on musical punctuation, from His Kritische Briefe über die Tonkunst, vol. 2 -- Appendix B: Chronological chart of punctuation references. |
Subject |
Performance practice (Music) -- History -- 18th century.
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Performance practice (Music) |
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History. |
Chronological Term |
18th century |
Subject |
Music -- Interpretation (Phrasing, dynamics, etc.)
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Music -- Interpretation (Phrasing, dynamics, etc.) |
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Musical notation.
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Musical notation. |
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Frasering. |
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1700-1800. |
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Musikalische Aufführungspraxis. |
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Phrasierung. |
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Punkt Musik. |
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Artikulation Musik. |
Chronological Term |
1700-1799 |
Genre/Form |
History.
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ISBN |
9781580460347 (hardcover ; alkaline paper) |
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1580460348 |
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