| Description |
xix, 293 pages : illustrations ; 24 cm. |
| Series |
Eastman studies in music,
1071-9989 ;
v. 27
|
|
Eastman studies in music ; v. 27.
|
| Bibliography |
Includes bibliographical references (pages 267-280) and index. |
| Contents |
Schenker and the quest for accuracy. Fux and strict counterpoint ; 'The Heinrich maneuver' ; 'The complementarity principle' -- Semper idem sed non eodem modo. Conceptual origins ; Prototypes ; Transformations ; Levels ; Fallout -- What price consistency? Sequences reconsidered ; Sequences and counterpoint ; Analytical implications -- Schenker and 'the myth of scales'. Modes and scales in traditional theory ; Schenkerian theory and scales ; Schenkerian theory and modal inflections ; Schenkerian theory and exotic inflections ; Schenkerian theory and the emergence of functional tonality -- "Pleasure is the law". The limits of Schenkerian theory ; Debussy, "C'est l'extase langoureuse" ; Debussy, "La mort des amants" ; Schenkerian theory and twentieth-century music -- Renaturalizing Schenkerian theory. naturalizating Schenker theory ; Schenkerian theory as a model of expert functional monotonal composition. |
| Subject |
Schenkerian analysis.
|
|
Schenkerian analysis. |
|
Tonality.
|
|
Tonality. |
| ISBN |
1580461603 hardcover alkaline paper |
|
