Includes bibliographical references (pages [311]-316) and index.
Contents
On the twelve-tone road (1942-1950) -- Aphorism and the appropriation of Webernian techniques (1950-1955) -- The apex of the Schoenbergian and Webernian influence (1956-1960) -- Consolidation and synthesis (1960-1972) -- Dallapiccola's idiosyncratic approach to octatonic serialism -- An Mathilde : an unsung cantata -- Parole di San Paolo : "A performance under a glass bell."