LEADER 00000cam a2200661 i 4500 
001    on1057786721 
003    OCoLC 
005    20191022015918.0 
008    190123t20192019nyua     b    001 0beng   
010      2019003206 
020    9781580469500|qhardcover|qalkaline paper 
020    1580469507|qhardcover|qalkaline paper 
020    |z9781787444508|q(PDF ebook) 
040    ICU/DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dRES|dTDF|dYDX|dGZM
       |dUKMGB|dZCU|dCHVBK|dOCLCO|dIBI|dOCLCA|dOCL|dWCH 
042    pcc 
043    n-us-ma|an-us--- 
049    WCHA 
050 00 ML422.M83|bB87 2019 
090    ML422 .M835|bB8 2019 
100 1  Burrage, Melissa D.,|d1962-|0https://id.loc.gov/
       authorities/names/no2019011556|eauthor. 
245 14 The Karl Muck scandal :|bclassical music and xenophobia in
       World War I America /|cMelissa D. Burrage. 
246 30 Classical music and xenophobia in World War I America 
264  1 Rochester, NY :|bUniversity of Rochester Press,|c2019. 
264  4 |c©2019 
300    445 pages :|billustrations ;|c24 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Eastman studies in music ;|vv. 157 
504    Includes bibliographical references and index. 
505 0  Here on foreign shores: Dr. Karl Muck's acclaim in Boston 
       (1906-1918) -- Mobilization: a changing environment for 
       Boston (1917) -- Selling the war: demonizing the enemy 
       (1918) -- "Looking for the trump card": Mrs. William Jay's
       attacks on Karl Muck in wartime America (1915-1918) -- "A 
       leaf in the storm": Muck, Higginson, and the Boston 
       Symphony Orchestra (1918-1919) -- Muck's arrest: "finding 
       'one weak spot'" (1918-1919) -- "Only too proud to 
       shoulder it all": the sexual climate of wartime Boston and
       Muck's fall from grace (1918-1919) -- Muck's final years: 
       his association with the Wagners and Adolph Hitler (1920-
       1940). 
520 8  One of the cherished narratives of American history is 
       that of the Statue of Liberty welcoming immigrants to its 
       shores. Accounts of the exclusion and exploitation of 
       Chinese immigrants in the late nineteenth century and 
       Japanese internment during World War II tell a darker 
       story of American immigration. Less well-known, however, 
       is the treatment of German-Americans and German nationals 
       in the United States during World War I. Initially 
       accepted and even welcomed into American society, at the 
       outbreak of war this group would face rampant intolerance 
       and anti-German hysteria. Melissa D. Burrage's book 
       illustrates this dramatic shift in attitude in her 
       engrossing narrative of Dr. Karl Muck, the celebrated 
       German conductor of the Boston Symphony Orchestra, who was
       targeted and ultimately disgraced by a New York 
       Philharmonic board member and by capitalists from that 
       city who used his private sexual life as a basis for 
       having him arrested, interned, and deported from the 
       United States. While the campaign against Muck made 
       national headlines, and is the main focus of this book, 
       Burrage also illuminates broader national topics such as: 
       Total War; State power; vigilante justice; internment and 
       deportation; irresponsible journalism; sexual 
       surveillance; attitudes towards immigration; anti-
       Semitism; and the development of America's musical 
       institutions. The mistreatment of Karl Muck in the United 
       States provides a narrative thread that connects these 
       various wartime and postwar themes. 
600 10 Muck, Karl.|0https://id.loc.gov/authorities/names/
       n82100363 
600 17 Muck, Karl.|2fast|0https://id.worldcat.org/fast/96265 
647  7 World War|d(1914-1918)|2fast|0https://id.worldcat.org/fast
       /1180746 
648  7 20th century|2fast 
648  7 1900-1999|2fast 
650  0 Germans|0https://id.loc.gov/authorities/subjects/
       sh85054461|zMassachusetts|zBoston|0https://id.loc.gov/
       authorities/names/n79045553-781|xHistory|y20th century.
       |0https://id.loc.gov/authorities/subjects/sh2002006165 
650  0 Conductors (Music)|vBiography.|0https://id.loc.gov/
       authorities/subjects/sh2008101431 
650  0 Xenophobia|0https://id.loc.gov/authorities/subjects/
       sh85148799|zUnited States|0https://id.loc.gov/authorities/
       names/n78095330-781|xHistory|y20th century.|0https://
       id.loc.gov/authorities/subjects/sh2002006165 
650  0 World War, 1914-1918|0https://id.loc.gov/authorities/
       subjects/sh85148236|zMassachusetts|zBoston.|0https://
       id.loc.gov/authorities/names/n79045553-781 
650  7 Germans.|2fast|0https://id.worldcat.org/fast/942100 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Conductors (Music)|xBiography.|2fast|0https://
       id.worldcat.org/fast/874601 
650  7 Xenophobia.|2fast|0https://id.worldcat.org/fast/1182003 
650  7 Conductors (Music)|2fast|0https://id.worldcat.org/fast/
       874600 
651  7 Massachusetts|zBoston.|2fast|0https://id.worldcat.org/fast
       /1205012 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655  7 Biographies.|2fast|0https://id.worldcat.org/fast/1919896 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
655  7 Biographies.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2014026049 
776 08 |iebook version :|z9781787444508 
830  0 Eastman studies in music ;|0https://id.loc.gov/authorities
       /names/n93090808|vv. 157. 
901    MARCIVE 20231220 
994    C0|bWCH