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LEADER 00000cam a2200685 i 4500 
001    on1156664432 
003    OCoLC 
005    20220114043859.0 
006    m     o  d         
007    cr cnu---unuuu 
008    200604s2020    stka    ob    001 0 eng d 
019    1157087310|a1175631955|a1178614542 
020    9781474435505|q(electronic book) 
020    1474435505|q(electronic book) 
020    |z1474435491 
020    |z9781474435499 
035    (OCoLC)1156664432|z(OCoLC)1157087310|z(OCoLC)1175631955
       |z(OCoLC)1178614542 
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050  4 PN1993.5.E82|bC38 2020eb 
072  7 HIS|x012000|2bisacsh 
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090    PN1993.5.E82|bC38 2020eb 
245 00 Caught in-between :|bintermediality in contemporary 
       Eastern European and Russian cinema /|cedited by Ágnes 
       Pethő. 
264  1 Edinburgh :|bEdinburgh University Press,|c[2020] 
264  4 |c©2020 
300    1 online resource (xii, 260 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Edinburgh studies in film and intermediality 
504    Includes bibliographical references and index. 
505 0  Introduction: The Art of In-Betweenness in Contemporary 
       Eastern European Cinema / Agnes Petho -- Part 1: Entangled
       Sensations, Cinema in-between the Arts. Intermedially 
       Emotional: Musical Mood Cues, Disembodied Feelings in 
       Contemporary Hungarian Melodramas / Hajnal Kiraly -- Black
       -and-White Sensations of History and Female Identity in 
       Contemporary Polish and Czech Cinema / Judit Pieldner -- 
       Sculpture and Affect in Cinema's Expanded Field. From 
       Aleksey Gherman's Hard to Be a God to Aleksey Gherman Jr's
       Under Electric Clouds / Agnes Petho -- Intermedial 
       Densities in the Work of Jan Švankmajer: A Media-
       Anthropological Case Study / Mareike Sera -- Part 2: 
       Immersions into Memory, Culture and Intermediality. 
       Trickster Narratives and Carnivalesque Intermediality in 
       Contemporary Romanian Cinema / Christina Stojanova -- 
       Photographic Passages to the Past in Eastern European Non-
       Fiction Films / Melinda Blos-Jani -- Trauma, 
       Memorialisation and Intermediality in Jasmila Žbanić's For
       Those Who Can Tell No Tales / Katalin Sandor -- An 
       Immersive Theatrical Journey through Media and Time in 
       Alexander Sokurov's Russian Ark / Fatima Chinita -- Part 3
       : Reflections upon Reality, Representation and Power. The 
       Real and the Intermedial in Alexander Sokurov's Family 
       Trilogy / Malgorzata Bugaj -- This is Not Magritte: 
       Corneliu Porumboiu's Theory of Representation / Zsolt 
       Gyenge -- Intermedial Détrompe l'Oeil and Contemporary 
       Polish Narrative Cinema / Gabriel Laverdiere -- Superhero 
       Genre and Graphic Storytelling in Contemporary Hungarian 
       and Russian Cinema / Bence Kranicz. 
520    "This collection of essays explores intermediality as a 
       new perspective in the interpretation of the cinemas that 
       have emerged after the collapse of the former Eastern 
       bloc. As an aesthetic based on a productive interaction of
       media and highlighting cinema's relationship with the 
       other arts, intermediality always implies a state of in-
       betweenness which is capable of registering tensions and 
       ambivalences that go beyond the realm of media. The 
       comparative analyses of films from Hungary, Romania, 
       Poland, the Czech Republic, Bosnia and Herzegovina and 
       Russia demonstrate that intermediality can be employed in 
       this way as a form of introspection dealing with complex 
       issues of art and society. Appearing in a variety of 
       sensuous or intellectual modes, intermediality can become 
       an effective poetic strategy to communicate how the 
       cultures of the region are caught in-between East and West,
       past and present, emotional turmoil and more detached self
       -awareness. The diverse theoretical approaches that 
       unravel this in-betweenness contribute to the 
       understanding of intermedial phenomena in contemporary 
       cinema as a whole."--Publisher description 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Motion pictures|0https://id.loc.gov/authorities/subjects/
       sh85088084|zEurope, Eastern|0https://id.loc.gov/
       authorities/subjects/sh85045765-781|xHistory.|0https://
       id.loc.gov/authorities/subjects/sh99005024 
650  0 Motion pictures|zRussia|xHistory.|0https://id.loc.gov/
       authorities/subjects/sh2010102553 
650  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1027285 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 HISTORY|zEurope|xFormer Soviet Republics.|2bisacsh 
651  7 Eastern Europe.|2fast|0https://id.worldcat.org/fast/
       1245079 
651  7 Russia.|2fast|0https://id.worldcat.org/fast/1207312 
655  0 Electronic books. 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
700 1  Pethő, Ágnes,|0https://id.loc.gov/authorities/names/
       nb2011013545|eeditor. 
776 08 |iPrint version:|tCaught in-between.|dEdinburgh : 
       Edinburgh University Press, [2020]|z1474435491
       |w(OCoLC)1039934797 
830  0 Edinburgh studies in film and intermediality.|0https://
       id.loc.gov/authorities/names/no2015082032 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2491281|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20220127|cEBSCO|tEBSCOebooksacademic NEW 6019|lridw 
994    92|bRID