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LEADER 00000cam a2200793 i 4500 
001    on1328035731 
003    OCoLC 
005    20230729211125.0 
006    m     o  d         
007    cr cnu---unuuu 
008    220610s2022    stka    ob    000 0 eng d 
015    GBC225428|2bnb 
016 7  020490528|2Uk 
020    9781474486477|q(electronic book) 
020    1474486479|q(electronic book) 
020    |z1474486452 
020    |z9781474486453 
020    9781474486484|q(ePub ebook) 
020    1474486487 
035    (OCoLC)1328035731 
037    22573/ctv2mxq5sn|bJSTOR 
040    JSTOR|beng|erda|epn|cJSTOR|dEBLCP|dOCLCQ|dN$T|dDEGRU|dVVC
       |dUKMGB|dOCLCQ|dUKAHL|dOCL 
043    e-fr--- 
049    RIDW 
050  4 PN1993.5.F8|bW38 2022eb 
072  7 PER|x004010|2bisacsh 
082 04 791.4365530944|223 
090    PN1993.5.F8|bW38 2022eb 
100 1  Watt, Calum,|0https://id.loc.gov/authorities/names/
       nb2018019021|eauthor. 
245 10 Derivative images :|bfinancial derivatives in french film,
       literature and thought /|cCalum Watt. 
264  1 Edinburgh :|bEdinburgh University Press,|c[2022] 
264  4 |c©2022 
300    1 online resource (ix, 188 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Edinburgh studies in film and intermediality 
504    Includes bibliographical references. 
505 0  Introduction: The 2008 Financial Crisis, Film and 
       Literature -- 1. Lordon and the 2008 Crisis -- D'un 
       retournement l'autre -- 'Une image bien choisie qui fait 
       bouillir les sangs': Images and Affects -- Lordon, Images 
       and Committed Art -- The Anarchic Condition -- 2. The 
       Saints of the Crisis: Larnaudie and Stiegler in the 
       Oversight Committee Room -- Les Effondres and the Collapse
       of Market Ideology -- Greenspan before Congress -- 
       Proletarisation and Transvaluation -- 3. The Derivative in
       Film and Literary Theory -- Derivatives and Nonknowledge -
       - Derivative Images -- Is the Psyche a Market? -- 
       Derivative Creativity -- Conclusion -- 4. Trading in 
       Images: The Case of Kerviel -- Screens within Screens -- 
       Kerviel at Societe Generale -- Trading as metier, the 
       Trader as Functionary -- Suicide and Societe Generale -- 
       5. Derivative Films -- Effacing the Visual Currency: The 
       Fountainhead -- 'L'argent est un bien public': Film 
       Socialisme -- 'The images are there for the taking': Film 
       Catastrophe -- 6. Dreaming Futures -- Argent and Value -- 
       'Fin de regne': Rever sous le capitalisme -- 'Ca imprime, 
       ca imprime': L'Epoque, Escaparates 
505 8  Conclusion: Ambivalences of the Derivative -- Select 
       Bibliography -- Select Filmography -- Index 
520    A theoretical, interdisciplinary reading of French film 
       and literary texts inspired by the 2008 global financial 
       crisis. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
647  7 Global Financial Crisis|d(2008-2009)|2fast|0https://
       id.worldcat.org/fast/1755654 
648  7 21st century|2fast 
648  7 2000-2099|2fast 
650  0 Global Financial Crisis, 2008-2009|0https://id.loc.gov/
       authorities/subjects/sh2009003683|xIn motion pictures.
       |0https://id.loc.gov/authorities/subjects/sh2002005441 
650  0 Global Financial Crisis, 2008-2009|0https://id.loc.gov/
       authorities/subjects/sh2009003683|xIn literature.|0https:/
       /id.loc.gov/authorities/subjects/sh2002011414 
650  0 Global Financial Crisis, 2008-2009|0https://id.loc.gov/
       authorities/subjects/sh2009003683|xIn popular culture.
       |0https://id.loc.gov/authorities/subjects/sh2005004333 
650  0 Motion pictures|zFrance|xHistory|0https://id.loc.gov/
       authorities/subjects/sh2008108022|y21st century.|0https://
       id.loc.gov/authorities/subjects/sh2002012478 
650  0 French literature|0https://id.loc.gov/authorities/subjects
       /sh85051865|y21st century|0https://id.loc.gov/authorities/
       subjects/sh2002012478|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh99001187 
650  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1027285 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 French literature.|2fast|0https://id.worldcat.org/fast/
       934688 
650  7 PERFORMING ARTS|vFilm & Video|xDirection & Production.
       |2bisacsh 
651  7 France.|2fast|0https://id.worldcat.org/fast/1204289 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aWatt, Calum.|tDerivative images.
       |dEdinburgh : Edinburgh University Press, [2022]
       |z1474486452|w(OCoLC)1285485574 
830  0 Edinburgh studies in film and intermediality.|0https://
       id.loc.gov/authorities/names/no2015082032 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=3301836|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20230922|cEBSCO |tebscoebooksacademic NEW JULY Quarterly
       6516|lridw 
994    92|bRID