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001 on1124800753
003 OCoLC
005 20210122115840.6
006 m o d
007 cr mn|||||||||
008 191027t20192019stka ob 001 0 eng d
019 1148875101|a1175633900
020 9781474410649|q(electronic book)
020 1474410642|q(electronic book)
020 |z9781474410632|q(hardback)
020 |z1474410634|q(hardback)
024 3 9781474410632
035 (OCoLC)1124800753|z(OCoLC)1148875101|z(OCoLC)1175633900
037 22573/ctvnk8pxj|bJSTOR
040 YDX|beng|erda|epn|cYDX|dJSTOR|dOCLCF|dOCLCQ|dN$T|dUX1|dOSU
|dEBLCP
043 e-fr---
049 RIDW
050 4 PN1993.5.F7|bS33 2019eb
082 04 791.430944|223
090 PN1993.5.F7|bS33 2019eb
100 1 Schmid, Marion,|d1969-|0https://id.loc.gov/authorities/
names/no2009159575|eauthor.
245 10 Intermedial dialogues :|bthe French new wave and the other
arts /|cMarion Schmid.
264 1 Edinburgh :|bEdinburgh University Press,|c[2019]
264 4 |c©2019
300 1 online resource (ix, 228 pages) :|billustrations.
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
490 1 Edinburgh Studies in Film and Intermediality
504 Includes bibliographical references (pages 209-219) and
index.
505 0 Celluloid and paper: rivalries, synergies, crossovers --
The world as spectacle: cinematic theatricalities --
Painterly hybridisations -- Architecture of apocalypse,
city of lights -- Still/moving: photography and cinematic
ontology
520 8 Casting fresh light on one of the most important movements
in film history, Intermedial Dialogues: The French New
Wave and the Other Arts is the first comprehensive study
of the New Wave's relationship with the older arts.
Traversing the fields of literature, theatre, painting,
architecture and photography, and drawing on Andr Bazin
alongside recent theories of intermediality, it
investigates the 'impure', intermedial aesthetics of New
Wave cinema. Filmmakers under discussion include critics-
turned-directors François Truffaut, Eric Rohmer, Jean-Luc
Godard, Jacques Rivette and Claude Chabrol, members of the
Left Bank Group Alain Resnais, Agnès Varda and Chris
Marker, but also lesser-known directors, notably the
'secret child of the New Wave', Guy Gilles. This wide-
ranging book offers an original reading of the complex,
often ambivalent ways in which the New Wave engages the
other arts in both its discursive construction and filmic
practice
588 Description based on print version record
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
648 7 20th century|2fast
648 7 1900-1999|2fast
650 0 New wave films|0https://id.loc.gov/authorities/subjects/
sh97008039|zFrance|0https://id.loc.gov/authorities/names/
n79006404-781|xHistory and criticism.|0https://id.loc.gov/
authorities/subjects/sh99001187
650 0 Arts, French|y20th century|0https://id.loc.gov/authorities
/subjects/sh2005001157|xInfluence.|0https://id.loc.gov/
authorities/subjects/sh2002005444
650 7 New wave films.|2fast|0https://id.worldcat.org/fast/
1036943
650 7 Arts, French.|2fast|0https://id.worldcat.org/fast/818019
651 7 France.|2fast|0https://id.worldcat.org/fast/1204289
655 0 Electronic books.
655 7 Criticism, interpretation, etc.|2fast|0https://
id.worldcat.org/fast/1411635
776 08 |iPrint version:|aSchmid, Marion, 1969-|tIntermedial
dialogues.|dEdinburgh : Edinburgh University Press, [2019]
|z9781474410632|w(OCoLC)1083138693
830 0 Edinburgh studies in film and intermediality.|0https://
id.loc.gov/authorities/names/no2015082032
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=2409384|zOnline ebook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this ebook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20210519|cEBSCO|tEBSCOebooksAcademic 1-22-21 4032|lridw
994 92|bRID
