Description |
1 online resource (xiv, 210 pages) : illustrations. |
Physical Medium |
polychrome |
Description |
text file |
Series |
Edinburgh studies in film
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Edinburgh studies in film.
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Bibliography |
Includes bibliographical references (pages 183-199) and index. |
Contents |
List of Illustrations -- Preface -- Acknowledgements -- CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film -- CHAPTER 2 Vasari in Hollywood: Artists and Biopics -- CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo -- CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard -- CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography -- CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema -- Appendix to Chapter 2: Artist Biopics -- Bibliography -- Index. |
Summary |
Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Motion pictures and the arts.
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Motion pictures and the arts. |
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Arts.
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Arts. |
Genre/Form |
Electronic books.
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Other Form: |
Print version: Jacobs, Steven, 1967- Framing pictures. Edinburgh : Edinburgh University Press, ©2011 9780748640171 (OCoLC)662577171 |
ISBN |
9780748647033 (electronic book) |
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0748647031 (electronic book) |
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9780748640171 (hardback) |
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0748640177 (hardback) |
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