| Description |
1 online resource (xiv, 210 pages) : illustrations. |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Edinburgh studies in film
|
|
Edinburgh studies in film.
|
| Bibliography |
Includes bibliographical references (pages 183-199) and index. |
| Contents |
List of Illustrations -- Preface -- Acknowledgements -- CHAPTER 1 Camera and Canvas: Emmer, Storck, Resnais and the Post-war Art Film -- CHAPTER 2 Vasari in Hollywood: Artists and Biopics -- CHAPTER 3 Galleries of the Gaze: The Museum in Rossellini’s Viaggio in Italia and Hitchcock’s Vertigo -- CHAPTER 4 Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard -- CHAPTER 5 Tableaux Vivants 2: Film Stills and Contemporary Photography -- CHAPTER 6 The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema -- Appendix to Chapter 2: Artist Biopics -- Bibliography -- Index. |
| Summary |
Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Motion pictures and the arts.
|
|
Motion pictures and the arts. |
|
Arts.
|
|
Arts. |
| Genre/Form |
Electronic books.
|
| Other Form: |
Print version: Jacobs, Steven, 1967- Framing pictures. Edinburgh : Edinburgh University Press, ©2011 9780748640171 (OCoLC)662577171 |
| ISBN |
9780748647033 (electronic book) |
|
0748647031 (electronic book) |
|
9780748640171 (hardback) |
|
0748640177 (hardback) |
|
