| Description |
1 online resource (338 pages). |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
Faux titre ; 349
|
|
Faux titre ; 349.
|
| Bibliography |
Includes bibliographical references (pages 297-324) and indexes. |
| Contents |
Cover; Title Page; Copyright Page; Table of Contents; Acknowledgements; Abbreviations; Introduction; 1. Reception of the Chansons de geste: The Medieval Model; 2. The Codicology and Transmission History of the Manuscripts; 3. Reception of the Chansons de geste: The Modern Model; 4. Medieval Memory Theory and the Epic Aesthetic; 5. A Remembering Audience; 6. An Aesthetic of Division and Repetition; 7. Repetition Effects; Conclusion; Bibliography; Index of Manuscripts; General Index. |
| Summary |
This book is the first cognitive literary analysis in the field of medieval French literature. As such, it focuses on the question of audience in the Old French epic poems known as chansons de geste . Bringing to bear evidence from historical, liter. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Chansons de geste -- History and criticism.
|
|
Chansons de geste. |
| Genre/Form |
Electronic books.
|
|
Criticism, interpretation, etc.
|
| Other Form: |
Print version: Leverage, Paula, 1970- Reception and memory. Amsterdam ; New York : Editions Rodopi, 2010 9789042030428 (OCoLC)650215648 |
| ISBN |
9789042030435 (electronic book) |
|
9042030437 (electronic book) |
|
9789042030428 (paperback ; acid-free paper) |
|
9042030429 (paperback) |
|
