LEADER 00000cam a22006498i 4500 001 on1054910926 003 OCoLC 005 20200110051409.9 006 m o d 007 cr ||||||||||| 008 190213s2018 ne ob 001 0 eng 010 2019006427 019 1055264839|a1055682215 020 9789027263490|q(electronic book) 020 9027263493|q(electronic book) 020 |z9789027201492|q(hardback ;|qalkaline paper) 020 |z9027201498 035 (OCoLC)1054910926|z(OCoLC)1055264839|z(OCoLC)1055682215 040 DLC|beng|erda|epn|cDLC|dN$T|dYDX|dEBLCP|dOCLCF|dOTZ|dNOC |dUKAHL|dOCLCQ|dOCLCO 042 pcc 049 RIDW 050 10 NX161 072 7 PER|x009000|2bisacsh 082 00 700/.457|223 090 NX161 245 00 Where is adaptation? :|bmapping cultures, texts, and contexts /|cedited by Casie Hermansson, Janet Zepernick, Pittsburg State University. 263 1111 264 1 Amsterdam ;|aPhiladelphia :|bJohn Benjamins Publishing Company,|c[2018] 300 1 online resource. 336 text|btxt|2rdacontent 337 computer|bn|2rdamedia 338 online resource|bnc|2rdacarrier 347 text file|2rdaft 490 1 FILLM studies in languages and literatures ;|vvolume 9 504 Includes bibliographical references and index. 505 0 Intro; Where is Adaptation?; Editorial page; Title page; Copyright page; Table of contents; List of figures; Series editor's preface; Contributors; Introduction: Where is adaptation? Why ask?; A short history of adaptation studies; References; Part I. Adaptation at the borderlines; Chapter 1. Adaptation as salvage: Transcoding history into fiction in The Naturalist; The ethics of adapting history for fiction; Historiographic adaptation; References; Chapter 2. Adapting history: Queries and notes about nonfiction comics; Sandra Cox, interview with Emi Gennis, May 2017 505 8 Chapter 3. Watching as data mining: Seeing Person of Interest through the prism of adaptation1. Texts of inspiration; 2. Texts of incoherence; 3. Familiarity and replacement; 4. Watching Person of Interest; References; Chapter 4. Adaptation as city branding: The case of Dexter and Miami; Toward a genealogy of crime series set in Miami; The color schemes; Iconic images; Signature soundtrack; Transforming Darkly Dreaming Dexter; Locating Dexter; "Dahmer Land"; Branding as adaptation; References 505 8 Chapter 5. The post-nostalgia film: Adapting West Yorkshire in British heritage and social realist filmA theory of adaptation: Place as text; Of moors and mansions : The British heritage film industry; The spaces of British social realism; References; Part II. Adaptation and transculturation; Chapter 6. A spectrum of operatic adaptations: Director's Opera and audience expectations; Audience anticipation and the horizon of expectations; Transladaptation vs. Regieoper: Stage managing audience expectations; References 505 8 Chapter 7. "Such a transformation!" * Shakespeare remade: Sulayman Al-Bassam's Richard III, an Arab TragedyTexts' dynamic mobility and the hermeneutics of adaptation; Cultural encounters: Challenges to overcome; The dialectics of adaptation; From Richard III to Richard III, an Arab Tragedy: New significations; References; Chapter 8. Indian Fakespeare: The idea of Shakespeare in translation; Shakespearean adaptation; Bhardwaj's "Shakespeare"; Fakespeares and the anti-pastiche; Shakespeare and hyperreality; Translating Shakespeare; Glocalized, post-independence, and crosshatched Shakespeares 505 8 Specters and liminalitiesGhosts of Shakespeares yet-to- come; Acknowledgments; References; Chapter 9. Transculturating Shakespeare: Vishal Bhardwaj's Mumbai Macbeth; Acts of Shakespearean recontextualization; Recontextualization in Maqbool; Conclusion; References; Part III. Adaptation at the contact zone; Chapter 10. Relocation as adaptation in An African City; Creative adaptation; Cultural adaptation; Continental adaptation; Conclusion: Adaptation as relocation; References; Chapter 11. The practice of adaptation in the Turkish Republic: Patriotic communities 520 8 Where is Adaptation? Mapping cultures, texts, and contexts' explores the vast terrain of contemporary adaptation studies and offers a wide variety of answers to the title question in 24 chapters by 29 international practitioners and scholars of adaptation, both eminent and emerging. From insightful self-analyses by practitioners (a novelist, a film director, a comics artist) to analyses of adaptations of place, culture, and identity, the authors brought together in this collection represent a broad cross-section of current work in adaptation studies. From the development of technologies impacting film festivals, to the symbiotic potential of interweaving disability and adaptation studies, censorship, exploring the "glocal", and an examination of the Association for Adaptation Studies at its 10th anniversary, the original contributions in this volume aim to trace the leading edges of this evolving field. 588 0 Print version record and CIP data provided by publisher; resource not viewed. 590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic Collection - North America 650 0 Adaptation (Literary, artistic, etc.)|0https://id.loc.gov/ authorities/subjects/sh2018002625 650 7 Adaptation (Literary, artistic, etc.)|2fast|0https:// id.worldcat.org/fast/2005852 655 4 Electronic books. 700 1 Hermansson, Casie,|0https://id.loc.gov/authorities/names/ n2001025294|eeditor. 700 1 Zepernick, Janet,|0https://id.loc.gov/authorities/names/ n2012049383|eeditor. 776 08 |iPrint version:|tWhere is adaptation?|dAmsterdam ; Philadelphia : John Benjamins Publishing Company, [2018] |z9789027201492|w(DLC) 2018026496 830 0 FILLM studies in languages and literatures ;|0https:// id.loc.gov/authorities/names/no2016094911|vv. 9. 856 40 |uhttps://rider.idm.oclc.org/login?url=http:// search.ebscohost.com/login.aspx?direct=true&scope=site& db=nlebk&AN=1903281|zOnline eBook via EBSCO. Access restricted to current Rider University students, faculty, and staff. 856 42 |3Instructions for reading/downloading the EBSCO version of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 901 MARCIVE 20231220 948 |d20200122|cEBSCO|tEBSCOebooksacademic NEW 12-21,1-17 11948|lridw 994 92|bRID