Description |
xvii, 275 pages : illustrations ; 24 cm. |
Series |
Harvard East Asian monographs ; 329
|
|
Harvard East Asian monographs ; 329.
|
Bibliography |
Includes bibliographical references and index. |
Contents |
Introduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms. |
Subject |
Arts, Japanese -- 20th century.
|
|
Arts, Japanese. |
Chronological Term |
20th century |
Subject |
Avant-garde (Aesthetics) -- Japan.
|
|
Avant-garde (Aesthetics) |
|
Japan. |
ISBN |
9780674053403 hardcover alkaline paper |
|
0674053400 hardcover alkaline paper |
|