Description |
1 online resource. |
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text file |
Series |
Harvard East Asian Monographs ; 430
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Harvard East Asian monographs ; 430.
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Bibliography |
Includes bibliographical references and index. |
Contents |
Copyright Page / Author: Yi Gu -- Dedication / Author: Yi Gu -- List of Illustrations / Author: Yi Gu -- Acknowledgments / Author: Yi Gu -- Introduction / Author: Yi Gu -- chapter one Open-Air Painting and the Modern Chinese Painter / Author: Yi Gu -- chapter two Optical Vision and New Modes of Depiction / Author: Yi Gu -- chapter three Inventing Tradition through Open-Air Painting / Author: Yi Gu -- chapter four Open-Air Painting during the War / Author: Yi Gu -- chapter five Views of the Party-State / Author: Yi Gu -- Epilogue / Author: Yi Gu -- Notes / Author: Yi Gu -- Glossary / Author: Yi Gu -- Bibliography / Author: Yi Gu -- Index / Author: Yi Gu -- Harvard East Asian Monographs / Author: Yi Gu. |
Summary |
"Focuses on the rise of open-air painting in modern China beginning in the late 1910s, when the New Culture Movement prompted painters to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics, through the early 1960s. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise"-- Provided by publisher. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Landscape painting, Chinese -- 20th century.
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Landscape painting, Chinese. |
Chronological Term |
20th century |
Subject |
Landscape painting, Chinese -- Technique.
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Landscape painting, Chinese -- Technique. |
Chronological Term |
1900-1999 |
Other Form: |
Print version: 0674244443 |
ISBN |
1684176131 |
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9781684176137 (electronic book) |
Standard No. |
10.1163/9781684176137. |
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