Description |
xvii, 275 p. : ill. ; 24 cm. |
Series |
Harvard East Asian monographs ; 329
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Harvard East Asian monographs ; 329.
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Bibliography |
Includes bibliographical references and index. |
Contents |
Introduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms. |
Subject |
Arts, Japanese -- 20th century.
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Avant-garde (Aesthetics) -- Japan.
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ISBN |
9780674053403 (hardcover : alk. paper) |
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0674053400 (hardcover : alk. paper) |
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