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001 ocn948656336
003 OCoLC
005 20190705070242.9
006 m o d
007 cr |||||||||||
008 160428s2015 gw ob 000 0 eng d
020 9783110422818|q(electronic book)
020 3110422816|q(electronic book)
024 7 10.1515/9783110422818|2doi
035 (OCoLC)948656336
040 UAB|beng|erda|epn|cUAB|dOCLCO|dOCLCF|dMZA|dOCLCQ|dN$T
|dDEGRU|dOCLCQ|dLEAUB
049 RIDW
050 4 NX456.5.F8|bI589 vol. 5
072 7 ART015100|2bisacsh
072 7 LIT000000|2bisacsh
072 7 LIT004130|2bisacsh
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082 04 709.0403|223
090 NX456.5.F8|bI589 vol. 5
245 00 International Yearbook of Futurism Studies.|nVol. 5, 2015.
|pSpecial Issue :|bWomen Artists and Futurism /|cGünter
Berghaus.
264 1 Berlin ;|aBoston :|bDe Gruyter,|c[2015]
264 4 |c©2015
300 1 online resource (698 pages).
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|2rdaft
490 1 International Yearbook of Futurism Studies ;|vVolume 5
505 0 |tFrontmatter --|tContents --|tEditorial --|tSection 1:
Women Artists and Futurism --|tAlice Bailly, Ambassador of
Futurism in Switzerland --|tNarratives of Women Artists in
/ out of Vorticism --|tBeyond the Frame: Reassessing
Jessie Dismorr and Helen Saunders --|tMary Swanzy (1882-
1978): A Futurist Painter from Ireland --|tValentine de
Saint-Point: A Futurist Woman? --|tFlirting with Futurism:
Norah Borges and the Avant-garde --|tRůžena Zátková: An
Unorthodox Female Futurist --|tPenetrating Men's Territory
: Russian Avant-garde Women, Futurism and the First World
War --|tOlga Rozanova: A True Futurist --|tTatiana
Vechorka: A Futurist Poetess in Tbilisi, Baku and Moscow -
-|tAlexandra Exter 1908-1914: Futurist Influences from
Russia and the West --|tElena Guro: On the Crossroads
between Symbolism, Organicism and Cubo-Futurism --|tNina
Henke-Meller and Ukrainian Futurism --|tEva Amendola Kühn
(Magamal): A Futurist of Lithuanian Extraction --|tMagamal
in Fiction: A Novel by Mira Otašević --|tEdyth von Haynau:
A Viennese Aristocrat in the Futurist Circles of the 1910s
--|t"The Pleasure of Being at the Wheel": The Mechanical
Aesthetics of Gertrude Stein and F.T. Marinetti --|tRea
Nikonova and the Legacy of Russian Futurism --|tSection 2:
Caricatures and Satires of Futurism in the Contemporary
Press --|tMatilde Serao's Battle with the Futurists in
Naples --|tEgo-Kubo-Rayo-Donkey-Tail-Futurists: About a
Russian Cartoon of 1913 --|tGecé's Angelic Depiction of
Norah Borges --|tArt and Anarchy: Futurists and
Suffragettes in London, 1910-1915 --|tSection 3: Reports -
-|tInternational Academy of Zaum --|tWomen Futurists in
Italy: A Research Report --|tSection 4: Obituary --|tSerge
Segay (1947-2014): An Obituary --|tSection 5: Reviews --
|tFuturism and War: A Conference in Zagreb (28-29 June
2014) --|tFuturist Utopias --|tJack of Diamonds Disputes
at the Courtauld Institute, London (24 October and 7
November 2014) --|t(Re)Constructing the Futurist Universe:
Toward a More Careful and Complete Historiography --
|tGerardo Dottori at the Estorick Collection --|tRussian
Avant-garde and Its Eastern Roots --|tFuturism in Latin
America: An Exhibition at the Ibero-American Institute in
Berlin --|tA New Analysis of Futurist Manifestos --
|tDramaturgy of Sound in Futurist Theatre --|tFuturism in
the Far East --|tSection 6: Bibliography --|tA
Bibliography of Publications on Futurism, 2012-2014 --
|tSection 7: Back Matter --|tList of Illustrations and
Provenance Descriptions --|tNotes on Contributors --|tName
Index --|tSubject Index --|tGeographical Index
520 The special issue of International Yearbook of Futurism
Studies for 2015 will investigate the role of Futurism in
the œuvre of a number of Women artists and writers. These
include a number of women actively supporting Futurism
(e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva
Kühn), others periodically involved with the movement
(e.g. Valentine de Saint Point, Aleksandra Ekster, Mary
Swanzy), others again inspired only by certain aspects of
the movement (e.g. Natalia Goncharova, Alice Bailly,
Giovanna Klien). Several artists operated on the margins
of a Futurist inspired aesthetics, but they felt attracted
to Futurism because of its support for women artists or
because of its innovatory roles in the social and
intellectual spheres. Most of the artists covered in
Volume 5 (2015) are far from straightforward cases, but
exactly because of this they can offer genuinely new
insights into a still largely under-researched domain of
twentieth-century art and literature. Guiding questions
for these investigations are: How did these women come
into contact with Futurist ideas? Was it first-hand
knowledge (poems, paintings, manifestos etc) or second-
hand knowledge (usually newspaper reports or personal
conversions with artists who had been in contact with
Futurism)? How did the women respond to the (positive or
negative) reports? How did this show up in their œuvre?
How did it influence their subsequent, often non-Futurist,
career?
546 In English.
588 0 Online resource; title from PDF title page (publisher's
Web site, viewed Mar. 30, 2016).
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
650 0 Futurism (Art)|0https://id.loc.gov/authorities/subjects/
sh85052619|xHistory.|0https://id.loc.gov/authorities/
subjects/sh99005024
650 0 Futurism (Literary movement)|0https://id.loc.gov/
authorities/subjects/sh85052620|xHistory.|0https://
id.loc.gov/authorities/subjects/sh99005024
650 0 Women artists|0https://id.loc.gov/authorities/subjects/
sh85147447|xHistory.|0https://id.loc.gov/authorities/
subjects/sh99005024
650 7 Futurism (Art)|2fast|0https://id.worldcat.org/fast/936780
650 7 History.|2fast|0https://id.worldcat.org/fast/958235
650 7 Futurism (Literary movement)|2fast|0https://
id.worldcat.org/fast/936786
650 7 Women artists.|2fast|0https://id.worldcat.org/fast/1177159
655 4 Electronic books.
655 7 History.|2fast|0https://id.worldcat.org/fast/1411628
700 1 Berghaus, Günter,|d1953-|0https://id.loc.gov/authorities/
names/n88032048
830 0 International Yearbook of Futurism Studies ;|vv. 5.
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
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db=nlebk&AN=1019479|zOnline eBook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this eBook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
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