LEADER 00000cam a2200577 i 4500 001 on1342510151 003 OCoLC 005 20230407062059.0 006 m o d 007 cr cnu---unuuu 008 220810s2022 ne a ob 001 0 eng 010 2022037576 019 1350434992 020 9789027256942|qelectronic book 020 9027256942|qelectronic book 020 |z9789027212719|qhardcover 035 (OCoLC)1342510151|z(OCoLC)1350434992 040 DLC|beng|erda|cDLC|dOCLCF|dN$T|dUKAHL|dYDX|dOCLCQ|dEBLCP 042 pcc 049 RIDW 050 04 ML3915|b.J85 2022 082 00 780/.04|223/eng/20220824 090 ML3915|b.J85 2022 100 1 Julich-Warpakowski, Nina,|0https://id.loc.gov/authorities/ names/n2022041913|eauthor. 245 10 Motion metaphors in music criticism :|ban empirical investigation of their conceptual motivation and their metaphoricity /|cNina Julich-Warpakowski. 264 1 Amsterdam ;|aPhiladelphia :|bJohn Benjamins Publishing Company,|c[2022] 300 1 online resource (xii, 247 pages) :|billustrations. 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 340 |gpolychrome|2rdacc 347 text file|2rdaft 490 1 Metaphor in language, cognition, and communication ; |vvolume 10 504 Includes bibliographical references and index. 505 0 Introduction. Western classical music and metaphor -- The language of music criticism -- The conceptual motivation of musical motion -- Metaphoricity as a gradable phenomenon -- Metaphors in music criticism -- Key motion verbs in Western classical music criticism -- The metaphoricity of musical motion expressions -- Final discussion and conclusions. 520 "The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors. Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants' musical background: musicians perceive musical motion expressions as more literal compared to non -musicians, showing that there are individual differences in the perception of metaphoricity"--|cProvided by publisher. 588 Description based on online resource; title from digital title page (viewed on January 04, 2023). 590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic Collection - North America 650 0 Metaphor in musical criticism.|0https://id.loc.gov/ authorities/subjects/sh2004002316 650 0 Movement, Aesthetics of.|0https://id.loc.gov/authorities/ subjects/sh85088013 650 7 Metaphor in musical criticism.|2fast|0https:// id.worldcat.org/fast/1201277 650 7 Movement, Aesthetics of.|2fast|0https://id.worldcat.org/ fast/1028521 776 08 |iPrint version:|aJulich-Warpakowski, Nina.|tMotion metaphors in music criticism|dAmsterdam ; Philadelphia : John Benjamins Publishing Company, 2022|z9789027212719 |w(DLC) 2022037575 830 0 Metaphor in language, cognition, and communication ; |0https://id.loc.gov/authorities/names/no2013139367|vv. 10. 856 40 |uhttps://rider.idm.oclc.org/login?url=https:// search.ebscohost.com/login.aspx?direct=true&scope=site& db=nlebk&AN=3437059|zOnline ebook via EBSCO. Access restricted to current Rider University students, faculty, and staff. 856 42 |3Instructions for reading/downloading the EBSCO version of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 901 MARCIVE 20231220 948 |d20230412|cEBSCO|tEBSCOebooksacademic NEW 4-7 2639 |lridw 994 92|bRID