LEADER 00000cam a2200457 a 4500 
001    ocn308198304 
005    20091216103440.0 
008    090706s2009    enkag    b    001 0 eng   
020    9780521899550|qhardback 
020    0521899559|qhardback 
035    (OCoLC)ocn308198304 
035    (OCoLC)308198304 
035    486519 
040    UKM|beng|cUKM|dBTCTA|dYDXCP|dBWKUK|dBWK|dY9H 
049    WCHA 
050  4 ML200.5|b.S77 2009 
090    ML200.5|b.S767 2009 
100 1  Straus, Joseph Nathan.|0https://id.loc.gov/authorities/
       names/n85827007 
245 10 Twelve-tone music in America /|cJoseph N. Straus. 
264  1 Cambridge, UK ;|aNew York :|bCambridge University Press,
       |c2009. 
300    xxiv, 301 pages :|billustrations, music ;|c26 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Music in the twentieth century ;|v25 
504    Includes bibliographical references (pages 277-295) and 
       index. 
505 0  Part one. Thirty-seven ways to write a twelve-tone piece. 
       "Ultramodern" composers : Adolph Weiss, Wallingford 
       Riegger, Carl Ruggles, and Ruth Crawford Seeger -- 
       European immigrants : Arnold Schoenberg, Ernst Krenek, 
       Igor Stavinsky, and Stefan Wolpe -- Postwar pioneers : 
       Milton Babbitt, Elliott Carter, George Perle, Aaron 
       Copland, and Roger Sessions -- An older generation 
       (composers born before 1920) : Ben Weber, George Rochberg,
       Ross Lee Finney, Barbara Pentland, and Roque Cordero -- 
       Some serial neoclassicists, tonalists, jazzers, and 
       minimalists : Arthur Berger, Irving Fine, Louise Talma, 
       Samuel Barber, Gunther Schuller, Hale Smith, and Michael 
       Torke -- A middle generation (composers born between 1920 
       and 1940) : Charles Wuorinen, Donald Martino, Ralph Shapey,
       Ursula Mamlok, Peter Westergaard, Leonard Rosenman, and 
       Mel Powell -- A younger generation (composers born after 
       1940) : Joseph Schwantner, Robert Morris, Peter Lieberson,
       Andrew Mead, and Jeff Nichols -- -- Part two. American 
       twelve-tone music in context. The composition of twelve-
       tone music in America -- The history of twelve-tone music 
       in America -- The reception of twelve-tone music in 
       America -- Conclusion. 
648  7 20th century|2fast 
650  0 Twelve-tone system|0https://id.loc.gov/authorities/
       subjects/sh85139017|zUnited States|0https://id.loc.gov/
       authorities/names/n78095330-781|xHistory|y20th century.
       |0https://id.loc.gov/authorities/subjects/sh2002006165 
650  0 Music|zUnited States|y20th century|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh2008108103 
650  7 Twelve-tone system.|2fast|0https://id.worldcat.org/fast/
       1159809 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Music.|2fast|0https://id.worldcat.org/fast/1030269 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
830  0 Music in the twentieth century ;|0https://id.loc.gov/
       authorities/names/n86709337|v25. 
901    MARCIVE 20231220 
935    486519 
994    C0|bWCH