Description |
x, 430 pages : illustration ; 26 cm. |
Series |
Music in the 20th century ; [22]
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Music in the twentieth century ; 22.
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Bibliography |
Includes bibliographical references (pages 412-422) and index. |
Contents |
'Atonality' : a revisionist thesis -- 'Based on tradition' : Four songs, op. 2, 1899 -- The principle of incremental innovation : Verklärte Nacht, 1899 -- Conservative song-cycle, progressive cantata : Gurrelieder, 1900-1911 -- Programmatic music and its implications : Pelleas und Melisande, op. 5, 1902-3 -- Consolidation : Six songs, op. 3, 1903-4 -- Abstract form, secret program : String quartet, op. 7, 1904-5 -- Referential centers? : Lieder and fragments, Fall 1905 -- Absolute music and its consequences : Chamber symphony, op. 9, 1905-6 -- Crisis : Friede auf Erden, op. 13, Ballades, op. 12, and the reception of Shoenberg's music, August 1906-July 1907 -- Motivic economy : String quartet no. 2, op. 10, movements one and two, March-December 1907 -- 'Until then I lacked the strength and confidence' : Two songs, op. 14, December 1907-March 1908 -- Beyond triads : the first layer of Das Buch der hängenden Gärten, op. 15, March-April 1908 -- 'On revient toujours?' : returning to opp. 10 and 15, June 1908 - February 1909 -- The analysis of Schoenberg's post-1908 music : Pieces for piano, op. 11, nos. 1 and 2, February 1909 -- 'Intoxicated by the enthusiasm' : Five orchestral pieces, op. 16, Piece for piano, op. 11, no. 3, May-August 1909 -- The birth (and death) of new music : August 1909 and beyond. |
Subject |
Schoenberg, Arnold, 1874-1951 -- Criticism and interpretation.
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Schoenberg, Arnold, 1874-1951. |
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Criticism and interpretation. |
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Atonality.
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Atonality. |
ISBN |
9780521865425 hardback |
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0521865425 hardback |
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