| Edition |
1st ed. |
| Description |
1 online resource (xx, 258 pages) : illustrations. |
|
text file |
| Series |
The new library of psychoanalysis ; 44
|
|
New library of psychoanalysis ; 44.
|
| Bibliography |
Includes bibliographical references and indexes. |
| Contents |
Foreword / Laura Mulvey -- Introduction / Andrea Sabbadini -- SET AND STAGE -- Inner and outer worlds of the filmmaker's temporary social structure / Bernardo Bertolucci, Fiona Shaw, Chris Mawson -- One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis / Ian Christie, Juliet Stevenson, Helen Taylor Robinson -- WORKING THROUGH TRAUMA -- Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001) / Nanni Moretti [and others] -- Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001) / Jed Sekoff -- Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998) / Annegret Mahler-Bungers -- Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation / Liliana Pedrón de Martín -- István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma / Diana Diamond -- HORROR PERSPECTIVES -- Notes on the relevance of psychoanalytic theory to Euro-horror cinema / Steven Jay Schneider -- Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development / Donald Campbell -- Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000) / Candy Aubry -- Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981) / Michael Grant -- DOCUMENTING INTERNAL WORLDS -- Narratives and documentaries: an encounter with Michael Apted and his films / Michael Apted, Helen Taylor Robinson -- Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957) / Elizabeth Cowie -- Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999) / Ljiljana Filipović -- Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995) / Emanuel Berman, Timna Rosenheimer, Michal Aviad -- Filming psychoanalysis: feature or documentary? Two contributions / Hugh Brody, Michael Brearley. |
| Summary |
The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema. The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and h. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Motion pictures -- Europe -- Psychological aspects.
|
|
Motion pictures. |
|
Europe. |
|
Psychological aspects. |
|
Psychoanalysis and motion pictures.
|
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Psychoanalysis and motion pictures. |
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Motion Pictures as Topic. |
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Psychoanalytic Interpretation. |
|
Europe. |
| Genre/Form |
Electronic books.
|
| Added Author |
Sabbadini, Andrea.
|
| Other Form: |
Print version: Couch and the silver screen. 1st ed. Hove ; New York : Brunner-Routledge, 2003 (DLC) 2003004236 |
| ISBN |
0203013913 (electronic book) |
|
9780203013915 (electronic book) |
|
0203357205 (Master e-book) |
|
9780203357200 (Master e-book) |
|
158391952X (Paper) |
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0203387457 (Adobe eReader Format) |
|
1583919511 (hardback) |
|
