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008 181009t20182019ne a ob 101 0 eng
010 2018048390
019 1090915831|a1121396637
020 9789004366282|q(electronic book)
020 9004366288|q(electronic book)
020 |z9789004363052|q(hardback ;|qalkaline paper)
020 |z900436305X|q(hardback ;|qalkaline paper)
035 (OCoLC)1057245005|z(OCoLC)1090915831|z(OCoLC)1121396637
040 DLC|beng|erda|epn|cDLC|dOCLCO|dOCLCF|dN$T|dEBLCP|dOSU|dYDX
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041 0 eng|aita
042 pcc
049 RIDW
050 10 ND623.P55|bP54 2015eb
072 7 ART|x015000|2bisacsh
082 00 759.5|223
090 ND623.P55|bP54 2015eb
111 2 Piero di Cosimo : painter of faith and fable (Conference)
|d(2015 :|cIstituto universitario olandese di storia
dell'arte)|0https://id.loc.gov/authorities/names/
n2018058142
245 10 Piero di Cosimo :|bpainter of faith and fable /|cedited by
Dennis Geronimus, Michael W. Kwakkelstein.
263 1811
264 1 Leiden ;|aBoston :|bBrill,|c[2019]
264 4 |c©2019
300 1 online resource (xxvi, 319 pages) :|billustrations.
336 text|btxt|2rdacontent
337 computer|bn|2rdamedia
338 online resource|bnc|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
490 1 NIKI studies in Netherlandish-Italian art history ;
|vvolume 12
500 "The thirteen essays comprising the present volume spring
from the proceedings of a two-day conference hosted by The
Dutch University Institute for Art History, scheduled to
coincide with the final days of the Uffizi Piero
exhibition in late September 2015."
504 Includes bibliographical references and index.
505 00 |tTelling tales: The kaleidoscopic art of Piero di Cosimo
(1462-1522) /|rDennis Geronimus --|tFrom Ancilla Domini to
Madonna del Parto : observations on Piero di Cosimo's
Marian imagery /|rAlessandra Galizzi Kroegel --|tL'altare
del Pugliese nella chiesa Spedale degli Innocenti : un
esempio di dialogo fra pittura e scultura /|rElena
Capretti --|tReal or imagined? Exotic animals in Piero di
Cosimo's mythologies /|rMarina Belozerskaya --|tThe
'Fantasia' of the cricket in Piero di Cosimo's Vulcan and
Aeolus /|rSarah Blake McHam --|tRara Avis: Piero di Cosimo
and the birds he painted /|rRoberta J.M. Olson --|tPiero
di Cosimo's Nymph and the hallmark of Artemis /|rIanthi
Assimakopoulou --|tBeautiful monsters: The language of
empathy and grief in Piero di Cosimo's representation of
animals and human-animal hybrids /|rDennis Geronimus --
|tQuestion of centaurs: Lucretius, Ovid, and Empedokles in
Piero di Cosimo /|rGuy Hedreen --|tPiero di Cosimo and
Netherlandish painting /|rPaula Nuttall --|tPiero and
Ghirlandaio: Drawing the figure /|rJean K. Cadogan --
|tDeconstructing the underdrawing in Piero di Cosimo's
Construction of a palace /|rElizabeth Walmsley --|tLa
ricomposizione di un Piero di Cosimo perduto : il restauro
della pala con Lo sposalizio mistico di S. Caterina e
della lunetta con i due angeli che sorreggono la corona /
|rAnna Teresa Monti e Lisa Venerosi Pesciolini --|tPiero
di Cosimo: Two angels return to Florence from Edinburgh /
|rLesley Stevenson.
520 8 2015 could rightly be called 'The Year of Piero di
Cosimo'. Piero's (1462-1522) critical fortunes have been
much revived and his admirers? sense of curiosity piqued
by two exhibitions, organized by the National Gallery of
Art, Washington, DC, and the Galleria degli Uffizi,
Florence. Together, the exhibitions marked and celebrated
a pair of firsts. The first-ever major retrospectives
devoted entirely to Piero?s artistic career and the first
joint-exhibition collaboration between the National
Gallery of Art and the Uffizi in the distinguished history
of the two institutions. It could be said that the study
of Piero di Cosimo belongs no less to the history of
imagination than to the history of art. As was true for
Giorgio Vasari five centuries ago, Piero?s highly personal
visual language remains a moving target for modern
scholars. Yet, as surprising and alluringly strange as his
pictorial solutions appear, it may be claimed that we have
never known or understood as much about Piero as we do
today. Freed from the powerful spell of Vasari?s biography
-cum-cautionary tale, the Piero that emerges is not solely
a conjurer of the uncanny, but a sensitive observer of the
natural and manmade worlds, humans and beasts, surfaces
and coloristic effects, phenomena material and ephemeral.
546 English and Italian.
588 0 Print version record.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
600 00 Piero,|cdi Cosimo,|d1462-1521|0https://id.loc.gov/
authorities/names/n82210775|vCongresses.|0https://
id.loc.gov/authorities/subjects/sh99001533
600 07 Piero,|cdi Cosimo,|d1462-1521.|2fast|0https://
id.worldcat.org/fast/104144
650 7 ART|xHistory|xGeneral.|2bisacsh
655 4 Electronic books.
655 7 Conference papers and proceedings.|2fast|0https://
id.worldcat.org/fast/1423772
655 7 Conference papers and proceedings.|2lcgft|0https://
id.loc.gov/authorities/genreForms/gf2014026068
700 1 Geronimus, Dennis,|d1972-|0https://id.loc.gov/authorities/
names/n2006023211|eeditor.
700 1 Kwakkelstein, Michael W.,|d1963-|0https://id.loc.gov/
authorities/names/n95044707|eeditor.
776 08 |iPrint version:|aPiero di Cosimo : painter of faith and
fable (Conference) (2015 : Istituto universitario olandese
di storia dell'arte).|tPiero di Cosimo.|dLeiden ; Boston :
Brill, [2019]|z9789004363052|w(DLC) 2018047823
|w(OCoLC)1019737546
830 0 NIKI studies in Netherlandish-Italian art history ;|0https
://id.loc.gov/authorities/names/no2019078107|v12.
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=2091831|zOnline ebook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this ebook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20220127|cEBSCO|tEBSCOebooksacademic NEW 6019|lridw
994 92|bRID
