| Description |
1 online resource. |
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text file |
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PDF |
| Physical Medium |
polychrome |
| Series |
Palgrave studies in audio-visual culture
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Palgrave studies in audio-visual culture.
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| Summary |
The Sounds of Silent Films comprises up-to-date research on silent film sound, providing a particular focus on historical performance practices combined with detailed theoretical case studies. The contributions by eminent scholars in the fields of musicology, film studies and media studies, as well as by curators and archivists, explore crucial notions such as the historicity of interpretations of silent film music and the diverse acoustic manifestations of film exhibition. The volume stands among the first to integrate a large number of texts that cover a variety of cultural and historical sites and their particular regional and local historical performance practices in, for example, Swedish, Polish, British, Italian, Austrian and Indian silent cinema. The contextualizations of silent film sound production are confronted with their reception in the United States and form a unique comparative perspective for the welldocumented North American literature. |
| Contents |
Foreword; Rick Altman -- Acknowledgements -- Introduction: 'The Birth of Cinema from the Spirit of Music'; Claus Tieber, Anna K. Windisch -- PART I: THE HISTORICAL PRACTICE OF SILENT FILM SOUND -- 1. Organizing a Music Library for Playing to Pictures in Britain: Theory vs. Practice; Julie Brown -- 2. The Formation of a Swedish Cinema Music Practice, 1905₆1915; Christopher Natzn -- 3. The Use of Cue Sheets in Italian Silent Cinema: Contexts, Repertoires, Praxis; Marco Targa -- 4. Music, Singing and Stage Practice in the Cinemas of Upper Silesia during the 1920s; Urszula Biel -- 5. The Sound of Music in Vienna's Cinemas, 1910-1930; Claus Tieber and Anna K. Windisch -- 6. The Moving Picture World, W. Stephen Bush, and the American Reception of European Cinema Practices, 1907-13; James Buhler and Catrin Watts -- 7. Musical Beginnings and Trends in 1920s Indian Cinema; Olympia Bhatt -- PART II: NEW APPROACHES TO SILENT FILM MUSIC HISTORY AND THEORY -- 8. Deconstructing the 'Brutal Savage' in John Ford's The Iron Horse; Peter A. Graff -- 9. The Hermeneutic Framing of Film Illustration Practice. The Allgemeines Handbuch der Film-Musik in the Context of Historico-Musicological Traditions; Maria Fuchs -- 10. Sergei Eisenstein and the Music of Landscape: the 'Mists' of Potemkin between Metaphor and Illustration; Francesco Finocchiaro -- 11. Paradoxes of Autonomy. Bernd Thewes' Compositions to the Rhythmus-films of Hans Richter; Marion Saxer -- 12. The Tradition of Novelty : Comparative Studies of Silent Film Scores: Perspectives, Challenges, Proposals; Marco Bellano -- 13. Germaine Dulac's Silent Film La Souriante Madame Beudet (1923) and its Scores by Arthur Kleiner and Manfred Knaak; Jorg Stenzl. |
| Bibliography |
Includes bibliographical references and index. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Silent film music -- History and criticism.
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Silent film music. |
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MUSIC -- Instruction & Study -- Theory. |
| Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
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| Added Author |
Tieber, Claus, editor.
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Windisch, Anna Katharina, editor.
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| Other Form: |
Print version: Sounds of silent films 9781137410719 (OCoLC)883513369 |
| ISBN |
9781137410726 (electronic book) |
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1137410728 (electronic book) |
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9781349489053 |
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