LEADER 00000cam a2200457 i 4500 
001    ocn689858524 
003    OCoLC 
005    20161031024530.0 
008    101203s2011    nyua     b    000 0 eng   
010      2010048880 
020    9780415893138|q(alkaline paper) 
020    0415893135|q(alkaline paper) 
040    DLC|beng|erda|cDLC|dYDX|dYDXCP|dTDF|dBWX|dCDX|dOCLCF
       |dOCLCQ|dCIA|dOCLCO|dOCL|dGBVCP|dOCLCO|dOCLCQ|dWCH 
043    n-us--- 
049    WCHA 
090    ML2075 .H653|bM8 2011 
100 1  Holbrook, Morris B.,|0https://id.loc.gov/authorities/names
       /n85826446|eauthor. 
245 10 Music, movies, meanings, and markets :|bcinemajazzamatazz 
       /|cMorris B. Holbrook. 
264  1 New York :|bRoutledge,|c2011. 
300    xxiv, 382 pages ;|c24 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Routledge interpretive marketing research ;|v14 
504    Includes bibliographical references (pages 361-382). 
505 0  Introduction : ambi-diegetic music in motion pictures. The
       role of ambi-diegetic film music in the product design of 
       Hollywood movies : macromarketing in La-La-land -- Ambi-
       diegetic jazz and the development of character. Ambi-
       diegetic film music as a product-design and -placement 
       strategy : the Crosby duets in High society (1956) -- The 
       cinemusical role of "My funny Valentine" in The fabulous 
       Baker Boys (1989) and The talented Mr. Ripley (1999) -- 
       The plot thickens : cinemusical meanings in the crime-plus
       -jazz genre. Pete Kelly's blues (1955) -- The Cotton Club 
       (1984) -- Kansas City (1996) -- Jazz, films, and 
       macromarketing themes : art versus commerce in the young 
       man-with-a-horn genre. Young man with a horn (1950) -- 
       Paris blues (1961) -- Mo' better blues (1990) -- Ambi-
       diegetic, nondiegetic, and diegetic cinemusical meanings 
       in motion pictures : commerce, art, and Brando loyalty -- 
       or -- De Niro, my God, to thee. Commerce and New York, New
       York (1977) : he's delightful, he's delicious, he's De 
       Niro -- Art and Heart beat (1980) : stars fell on 
       Algolagnia -- Brando loyalty and The score (2001) : how do
       you keep the music paying? -- God is in the details. His 
       eye is on the sparrow : small-but-significant cinemusical 
       moments in jazz film scores by Miles Davis and John Lewis 
       -- Small-but-significant implications of the man who isn't
       there in Sweet smell of success (1957) -- Jazz biopics as 
       tragedy and comedy : pivotal ambi-diegetic cinemusical 
       moments in tragedepictions and comedepictions of jazz 
       heroes -- When bad things happen to great musicians : the 
       troubled role of ambi-diegetic jazz in three 
       tragedepictions of artistic genius on the silver screen --
       A cinemusicaliterary analysis of the American dream as 
       represented by biographical jazz comedepictions in the 
       golden age of Hollywood biopics : Blow, Horatio, blow; O, 
       Jakie, O; Go, Tommy, go; No, Artie, no. 
546    English text. 
650  0 Motion picture music|zUnited States|xHistory and 
       criticism.|0https://id.loc.gov/authorities/subjects/
       sh2010102483 
650  0 Jazz in motion pictures.|0https://id.loc.gov/authorities/
       subjects/sh2001003412 
650  7 Motion picture music.|2fast|0https://id.worldcat.org/fast/
       1027201 
650  7 Jazz in motion pictures.|2fast|0https://id.worldcat.org/
       fast/982204 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
830  0 Routledge interpretive marketing research series ;|0https:
       //id.loc.gov/authorities/names/n98057114|v14. 
901    MARCIVE 20231220 
948    |d20170922|clti|tlti-aex 
948    |d20160930|clti|tlti-aex 
994    C0|bWCH