LEADER 00000cam a2200517 i 4500 001 on1247831971 003 OCoLC 005 20220119104359.0 008 210611t20222022nyu b 001 0 eng 010 2021018795 020 9780367568191|q(hardback) 020 0367568195 020 9780367568221|q(paperback) 020 0367568225 020 |z9781003099475|q(ebook) 020 |z9781000461329|q(ePub ebook) 020 |z9781000461282|q(PDF ebook) 040 DLC|beng|erda|cDLC|dOCLCO|dUKMGB|dOCLCF|dBDX|dOCL|dWCH 042 pcc 049 WCHA 050 00 MT1.G615|bC85 2021 090 MT1 .G591|bC85 2022 100 1 Good-Perkins, Emily,|0https://id.loc.gov/authorities/names /n2021032481|eauthor. 245 10 Culturally sustaining pedagogies in music education : |bexpanding culturally responsive teaching to sustain diverse musical cultures and identities /|cEmily Good- Perkins. 250 [1.]. 264 1 New York :|bRoutledge,|c2022. 264 4 |c©2022 300 viii, 156 pages :|billustrations (black and white) ;|c23 cm. 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 490 1 Routledge research in arts education 504 Includes bibliographical references and index. 505 0 Part I. Culturally Sustaining Pedagogy. The Importance of Theory ; Why Culturally Sustaining Pedagogy for Music Education? -- Part II. Historical Overview of Today's Music Classroom. Music and the 'Civilizing' Mission ; Music and the 'Civilizing' Mission in the United States ; Character Improvement and Music Education in the United States ; Music Education Standardization and Codification -- Part III. Today's Music Classroom. How do our Normalized Practices Impact Children Today? ; Tow Music Teaching Approaches ; How do Students describe a Meaningful Music Classroom? -- Part IV. Culturally Sustaining Pedagogy in Music Education. Musical Epistemology and Music Education -- Part V. Moving Forward Toward Culturally Sustaining Music Pedagogy. Practical Implications for the Music Classroom ; Towards a Framework for Culturally Sustaining Music Pedagogy. 520 "This volume problematizes the historic dominance of Western classical music education and posits culturally sustaining pedagogy (CSP) as a framework through which music curricula can better serve increasingly diverse student populations. By detailing a qualitative study conducted in an urban high school in the US, the volume illustrates how traditional approaches to music education can inhibit student engagement and learning. Moving beyond culturally responsive teaching, the volume goes on to demonstrate how enhancing teachers' understanding of alternative musical epistemologies can support them in embracing CSP in the music classroom. This new theoretical and pedagogical framework reconceptualizes current practices to better sustain the musical cultures of the minoritized. This text will benefit researchers, academics, and educators with an interest in music education, multicultural education, and urban education more broadly. Those specifically interested in ethnomusicology and classroom practice will also benefit from this book. Emily Good-Perkins is an Instructor of Voice and Vocal Pedagogy at Marian University, USA. She is also the founder and Executive Director for the non-profit organization, Voicing Futures"--|cProvided by publisher. 650 0 Music|xInstruction and study.|0https://id.loc.gov/ authorities/subjects/sh85088796 650 0 Culturally sustaining pedagogy.|0https://id.loc.gov/ authorities/subjects/sh2021005509 650 7 Music|xInstruction and study.|2fast|0https:// id.worldcat.org/fast/1030347 650 7 Culturally sustaining pedagogy.|2fast|0https:// id.worldcat.org/fast/2031393 776 08 |iebook version :|z9781000461329 830 0 Routledge research in arts education.|0https://id.loc.gov/ authorities/names/no2023044132 901 MARCIVE 20231220 994 C0|bWCH
|