LEADER 00000cam a2200541Ii 4500 
001    ocn968670110 
003    OCoLC 
005    20170906034720.0 
008    170116t20172017be a     b    000 0 eng d 
020    2503574629 
020    9782503574622 
040    YDX|beng|erda|cYDX|dQGJ|dOHX|dUAB|dOCLCF|dWCH 
041 1  eng|afre|hfre 
049    WCHA 
050  4 MT100.D44|bN53 2017 
090    MT100.D354|bN5 
100 1  Niccolai, Michela,|0https://id.loc.gov/authorities/names/
       no2005061394|eauthor. 
245 10 Debussy's Pelléas et Mélisande :|bthe staging by Albert 
       Carré /|cMichela Niccolai; English translation by Lesley 
       Wright. 
264  1 Turnhout :|bBrepols,|c2017. 
264  4 |c©2017 
300    xvii, 253 pages :|billustrations ;|c27 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Staging and dramaturgy: Opera and the performing arts ;
       |vvolume III 
504    Includes bibliographical references (pages 243-253). 
520 8  Engagement with the Parisian archives has revealed two 
       levels of visual representation: the staging of the 
       première, signed by Albert Carré, and its printed version,
       including many changes, issued by Durand several years 
       later. The critical edition presented here, based on this 
       latter version, highlights the differences with the 1902 
       version, involving changes resulting from the publisher's 
       decision to widen the dissemination of Debussy's work, 
       especially in theatres with less advanced lighting 
       technology compared to the Opéra-Comique. The booklet 
       containing the handwritten notes for 'Pelléas et 
       Mélisande', by Albert Carré, is extremely important: the 
       staging contained within the notes, as well as having 
       inaugurated the history of this work, has been in use in 
       the same theatre until 1947. A study of this type that 
       compares visual documents with the musical score, 
       contemporary press reports and iconographic sources, aims 
       to reconstruct the operatic performance as a whole 
       (including the musical text and scenic elements). 
546    Primarily in English, some chapters in French. 
600 10 Debussy, Claude,|d1862-1918.|tPelléas et Mélisande|0https:
       //id.loc.gov/authorities/names/n78025522|xPerformances.
       |0https://id.loc.gov/authorities/subjects/sh00005755 
600 16 Debussy, Claude,|d1862-1918.|tPelléas et Mélisande
       |xInterprétation. 
630 07 Pelléas et Mélisande (Debussy, Claude)|2fast|0https://
       id.worldcat.org/fast/1357511 
650  0 Opera|0https://id.loc.gov/authorities/subjects/sh85094900
       |vStage guides.|0https://id.loc.gov/authorities/subjects/
       sh99001413 
650  0 Opera|xProduction and direction.|0https://id.loc.gov/
       authorities/subjects/sh85094906 
650  6 Opéras|vIndications scéniques. 
650  6 Opéras|xProduction et mise en scène. 
650  7 Opera.|2fast|0https://id.worldcat.org/fast/1046145 
650  7 Opera|xProduction and direction.|2fast|0https://
       id.worldcat.org/fast/1046164 
650  7 Performances.|2fast|0https://id.worldcat.org/fast/1353970 
700 1  Wright, Lesley,|0https://id.loc.gov/authorities/names/
       n00097810|etranslator. 
830  0 Staging and dramaturgy: Opera and the performing arts ;
       |vv. 3. 
901    MARCIVE 20231220 
948    |d20181012|cLTI|tlti-aup183 
948    |d20171012|cLTI|tlti-aup173 
948    |d20170922|clti|tlti-aex 
994    C0|bWCH