| Description |
1 online resource. |
|
text file PDF |
| Series |
Studien zur Popularmusik
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Studien zur Popularmusik.
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| Contents |
Frontmatter -- Contents -- Acknowledgments -- 1. Laboratory Case I: Moodymann and the study of pop music persona construction -- 2. Performance in music (studies) -- 3. Laboratory Case II: Ursula Bogner and performance research -- Conclusion: Towards a reconceptualisation of ethnographic practice as collaborative imagination -- Appendix |
| Summary |
In electronic music culture, anonymity practices have long been established as a method of critique of pop star cult and identification regimes. How can scholars research an anti-representational music culture and what can they learn from it? Recently, electronic pop music has resorted to a performative play with identity involving fake or parafictive identities or collaborative persona imaginations. This study sketches two musico-artistic projects of anonymity performance as forms of immanent and particulate `critical practice' in the sense of Judith Butler and Michel Foucault. Adopting performance in a reflexive and performative writing style, this `performance ethnography' calls for a radical performative turn in the cultural studies of music. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Language |
In English. |
| Subject |
Electronica (Music) -- History and criticism.
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Electronica (Music) |
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Anonymous persons.
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Anonymous persons. |
| Genre/Form |
Electronic books.
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Dictionaries.
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Dictionaries.
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| ISBN |
3839442567 |
|
9783839442562 (electronic book) |
| Standard No. |
10.14361/9783839442562 |
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