| Description |
1 online resource (210 pages). |
|
text file |
| Series |
Studies in Performance and Early Modern Drama
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Studies in performance and early modern drama.
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| Contents |
Cover; Contents; Acknowledgements; Preface; 1 "Emulation hath a thousand sons": Emulative Rhetorics in Renaissance England; 2 "A pattern, precedent, and lively warrant"; 3 "Suit the action to the word"; 4 "I am what you should be"; 5 "Act[ing] an orators part"; Afterword: Emulation's "thousand sons" and Roman Influence: Conclusions and Implications; Bibliography; Index. |
| Summary |
Using the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics, this study analyzes the conflicted uses of emulation in the period. The author also reassesses and nuances our understanding of the roles and significance of emulation in the Renaissance. Among the individual texts examined here are Shakespeare's Titus Andronicus and Hamlet, Jonson's Catiline, and Massinger's The Roman Actor. |
| Bibliography |
Includes bibliographical references and index. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Shakespeare, William, 1564-1616 -- Criticism and interpretation.
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Shakespeare, William, 1564-1616. |
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Criticism and interpretation. |
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Imitation in literature.
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Imitation in literature. |
| Chronological Term |
1500 - 1600 |
| Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
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| Other Form: |
Print version: Dickson, Vernon Guy. Emulation on the Shakespearean Stage. Farnham : Ashgate Publishing Ltd, ©2013 9781409469285 |
| ISBN |
9781409469292 (electronic book) |
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1409469298 (electronic book) |
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9781306070034 |
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1306070031 |
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9781409469308 (epub) |
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1409469301 (epub) |
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9781409469285 (hardcover) |
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