LEADER 00000cam a2200661Ii 4500 001 on1120724427 003 OCoLC 005 20211008041809.0 006 m o d | 007 cr ||||||||||| 008 190923s2019 ne ob 001 0 eng 020 9789004407725|q(electronic book) 020 9004407723|q(electronic book) 020 |z9789004353848|q(hardback) 020 |z9004353844 035 (OCoLC)1120724427 040 LGG|beng|erda|epn|cLGG|dLGG|dN$T|dMZA|dYDX 043 e-ne--- 049 RIDW 050 00 ND646|b.H33 2019 082 04 759.9492/09032|223 090 ND646|b.H33 2019 100 1 Hadjinicolaou, Yannis,|0https://id.loc.gov/authorities/ names/nb2015002048|eauthor. 245 10 Thinking bodies-shaping hands :|bhandeling in art and theory of the late Rembrandtists /|cYannis Hadjinicolaou. 263 1909 264 1 Leiden ;|aBoston :|bBrill,|c2019. 300 1 online resource. 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 347 text file|2rdaft 490 1 Studies in Netherlandish art and cultural history,|x1872- 9932 ;|vvolume 15 504 Includes bibliographical references and index. 505 0 Between formal and stylistic diversity-handeling in the art of the Rembrandtists -- Primacy of the hand -- Art materials -- Facets of handling the paint -- The iconicity of action. 520 "Thinking Bodies - Shaping Hands focuses on the critical as well as historical dimension of the handling of the brush and of the resulting appearance of colour on the painted surface in art and art theory from the middle of the 17th (above all from 1660) to the dawn of the 18th century in the Netherlands. More specifically, it deals with Rembrandt's last pupils such as Arent de Gelder. "Handeling" describes an active, embodied process that is connected to the motion of the hand with the brush or with any other kind of tool. This term, up to now not sufficiently appreciated in scholarly literature, seems to be fruitful in this context. It is not so much connected with the term "style", as with a prior step, which is equivalent to "manner". At the same time, its meaning in Dutch till today is "action". "Handeling" is an act that could be described as a "form-act". It focuses on Formgestaltung, in which these actions themselves are understood as processes. Examining the "Rembrandtist ideology of painting", this study attempts to reveal the embodied process of painting in the sense of a bodily articulation during the application of colour. This occurs within the productive tension between theory and practice" --|cProvided by publisher. 588 0 Print version record. 590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic Collection - North America 648 7 17th century|2fast 648 7 1600-1699|2fast 650 0 Painting, Dutch|y17th century.|0https://id.loc.gov/ authorities/subjects/sh00010183 650 0 Brushwork.|0https://id.loc.gov/authorities/subjects/ sh85017355 650 0 Color in art.|0https://id.loc.gov/authorities/subjects/ sh85028596 650 0 Painting|xPhilosophy.|0https://id.loc.gov/authorities/ subjects/sh2008108838 650 7 Painting, Dutch.|2fast|0https://id.worldcat.org/fast/ 1050779 650 7 Brushwork.|2fast|0https://id.worldcat.org/fast/839886 650 7 Color in art.|2fast|0https://id.worldcat.org/fast/868563 650 7 Painting|xPhilosophy.|2fast|0https://id.worldcat.org/fast/ 1050602 655 0 Electronic books. 655 4 Electronic books. 776 08 |iPrint version:|aHadjinicolaou, Yannis.|tThinking bodies- shaping hands.|dLeiden ; Boston : Brill, 2019|z9004353844 |z9789004353848|w(DLC) 2019022541|w(OCoLC)1103579962 830 0 Studies in Netherlandish art and cultural history.|0https: //id.loc.gov/authorities/names/no98067930|x1872-9932 ; |vvolume 15. 856 40 |uhttps://rider.idm.oclc.org/login?url=https:// search.ebscohost.com/login.aspx?direct=true&scope=site& db=nlebk&AN=2239942|zOnline ebook via EBSCO. Access restricted to current Rider University students, faculty, and staff. 856 42 |3Instructions for reading/downloading the EBSCO version of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 901 MARCIVE 20231220 948 |d20211213|cEBSCO|tEBSCOebooksacademic NEW Oct-Nov 5018 |lridw 994 92|bRID