| Description |
x, 319 pages : illustrations, facsimiles, music ; 27 cm. |
| Series |
Studies in the history of music ; v. 3
|
|
Studies in the history of music (New York, N.Y.) ; v. 3.
|
| Bibliography |
Includes bibliographical references. |
| Contents |
Myths of creation. Louis XII and "Guillaume" : one note, one more time / Thomas W. Bridges -- Le Cerf, Lully, and the workshop tradition / Ronald Broude -- Eduard Mörike, Alexander Ulïbïshev, and the Ghost scene in Don Giovanni / Roye E. Wates -- Compositional process. The origin of the permutation fugue / Paul Walker -- Creative process in Rameau's Castor et Pollux / Charles Dill -- Structural ornamentation in C.P.E. Bach's sonatas for flute and continuo / Leta E. Miller -- Haydn's Andante con variazioni : compositional process, text, and genre / Leon Plantinga and Glenn Pierr Johnson -- Beethoven's "anti-organicism"? : the origins of the slow movement of the Ninth symphony / Nicholas Marston -- Schubart [i.e. Schubert], tonality, and Die schöne Müllerin / Vivian S. Ramalingam --Trial's tribulations / Steven Ledbetter -- Puccini's Tosca : a new point of view / Allan W. Atlas -- Bloch, Beethoven, and Nottebohm / David L. Sills. |
| Subject |
Composition (Music) -- History and criticism.
|
|
Composition (Music) |
|
Music -- History and criticism.
|
|
Music. |
|
Music -- Instruction and study. |
| Genre/Form |
Criticism, interpretation, etc.
|
| Other Form: |
Online version: Creative process. New York : Broude, 1992 (OCoLC)654778605 |
| ISBN |
0845074032 : $57.50 |
|
9780845074039 |
|
