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LEADER 00000cam a2200649Ii 4500 
001    on1076271673 
003    OCoLC 
005    20200717185225.2 
006    m     o  d         
007    cr mn||||||||| 
008    181126t20192019enka    ob    001 0 eng d 
019    1076262763|a1076810580 
020    9781526113719|q(electronic book) 
020    1526113716|q(electronic book) 
020    |z9781526113696|q(hardback) 
020    |z1526113694|q(hardback) 
035    (OCoLC)1076271673|z(OCoLC)1076262763|z(OCoLC)1076810580 
037    22573/ctvn98t9m|bJSTOR 
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043    e-uk--- 
049    RIDW 
050  4 PN1590.G39|bG74 2019eb 
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090    PN1590.G39|bG74 2019eb 
100 1  Greer, Stephen,|d1978-|0https://id.loc.gov/authorities/
       names/n2012033922|eauthor. 
245 10 Queer exceptions :|bsolo performance in neoliberal times /
       |cStephen Greer. 
264  1 Manchester :|bManchester University Press,|c[2019] 
264  4 |c©2019 
300    1 online resource (ix, 248 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Theatre: Theory - Practice - Performance Ser. 
504    Includes bibliographical references and index. 
505 0  Locating solo performance -- The martyr: dramaturgies of 
       endurance, exhaustion and confession -- The pariah: queer 
       outcasts and the politics of wounded attachment -- The 
       killjoy: public unhappiness and theatrical scapegoats -- 
       The stranger: performing 'out-of-placeness' in the UK and 
       Europe -- The misfit: illness, disability and 'improper' 
       subjects -- The optimist: alternatives in the here and 
       now. 
520 8  Queer expectations is a study of contemporary solo 
       performance in the UK and Western Europe that explores the
       contentious relationship between identity, individuality 
       and neoliberalism. With diverse case studies featuring the
       work of La Ribot, David Hoyle, Oreet Ashery, Bridget 
       Christie, Tanja Ostojic, Adrian Howells and Nassim 
       Soleimanpour, the book examines the role of singular or 
       'exceptional' subjects in constructing and challenging 
       assumed notions of communal sociability and togetherness, 
       while drawing fresh insight from the fields of sociology, 
       gender studies and political philosophy to reconsider 
       theatre's attachment to singular lives and experiences. 
       Framed by a detailed exploration of arts festivals as 
       encapsulating the material, entrepreneurial circumstances 
       of contemporary performance-making, this is the first 
       major critical study of solo work since the millennium. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Gay people and the performing arts|0https://id.loc.gov/
       authorities/subjects/sh2003006224|zGreat Britain.|0https:/
       /id.loc.gov/authorities/names/n79023147-781 
650  0 Homosexuality in the theater|0https://id.loc.gov/
       authorities/subjects/sh2004009860|zGreat Britain.|0https:/
       /id.loc.gov/authorities/names/n79023147-781 
650  7 Homosexuality in the theater.|2fast|0https://
       id.worldcat.org/fast/1736145 
651  7 Great Britain.|2fast|0https://id.worldcat.org/fast/1204623
655  0 Electronic books. 
776 08 |iPrint version:|aGreer, Stephen, 1978-|tQueer exceptions.
       |dManchester : Manchester University Press, 2019
       |z1526113694|w(OCoLC)1084568482 
830  0 Theatre (Manchester, England)|0https://id.loc.gov/
       authorities/names/n2002025981 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1942186|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948 00 |d20200727|cEBSCO|tEBSCOebooksacademic NEW June-July 17 
       7032|lridw 
994    92|bRID