| Description |
1 online resource |
| Series |
The Sciences Po Series in international political economy
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CERI series in international relations and political economy.
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| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction : understanding musical diplomacies : movements on the "scenes" / Cécile Prévost-Thomas and Frédéric Ramel -- Europe in Rome/Rome in Europe : diplomacy as a network of cultural exchanges / Michela Berti -- Eighteenth-century diplomats as musical agents / Mark Ferraguto -- Targeting new music in postwar Europe : American cultural diplomacy in the crafting of art music avant-garde scenes / Anne-Sylvie Barthel-Calvet -- The diplomatic viol / Rebekah Ahrendt -- The diplomat's music test : branding new and old diplomacy at the beginning of the nineteenth and twenty-first centuries / Damien Mahiet -- Schaeffer, Boulez, and the everyday diplomacies of French decolonization / Noé Cornago -- Negotiating the pitch : for a diplomatic history of A, at the crossroads of politics, music, science and industry / Fanny Gribenski -- Music, diplomacy and international solidarity : the campaign for Miguel Ángel Estrella (1977-1980) / Esteban Buch and Anaïs Fléchet -- The Eurovision song contest in the musical diplomacy of authoritarian states / Dean Vuletic -- Music that divides : the case of Russian musical diplomacy in the Baltic States / Emilija Pundziūtė-Gallois -- Of dreams and desire : diplomacy and musical nation branding since the early modern period / Jessica C.E. Gienow-Hecht. |
| Summary |
This volume explores the interrelation of international relations, music, and diplomacy from a multidisciplinary perspective. Throughout history, diplomats have gathered for musical events, and musicians have served as national representatives. Whatever political unit is under consideration (city-states, empires, nation-states), music has proven to be a component of diplomacy, its ceremonies, and its strategies. Following the recent acoustic turn in IR theory, the authors explore the notion of "musical diplomacies" and ask whether and how it differs from other types of cultural diplomacy. Accordingly, sounds and voices are dealt with in acoustic terms but are not restricted to music per se, also taking into consideration the voices (speech) of musicians in the international arena. Frédéric Ramel is Full Professor and Head of the Political Science Department at Sciences Po, Centre de Recherches Internationales, France. Cécile Prévost-Thomas is Associate Professor in Sociology of Music at the University Sorbonne Nouvelle - Paris 3, Centre de Recherche sur les Liens Sociaux, France.-- Provided by publisher |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Music and diplomacy.
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Music and state.
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Music -- Political aspects.
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POLITICAL SCIENCE -- Public Policy -- Cultural Policy. |
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SOCIAL SCIENCE -- Anthropology -- Cultural. |
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SOCIAL SCIENCE -- Popular Culture. |
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Music and diplomacy |
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Music and state |
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Music -- Political aspects |
| Added Author |
Ramel, Frédéric, editor.
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Prévost-Thomas, Cécile, editor.
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| Other Form: |
Print version: International relations, music and diplomacy. Cham, Switzerland : Palgrave Macmillan, [2018] 3319631624 (DLC) 2017959724 (OCoLC)992789379 |
| ISBN |
9783319631639 (electronic bk.) |
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3319631632 (electronic bk.) |
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9783319631622 |
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