LEADER 00000cam a22005654a 4500 
001    ocn807025390 
003    OCoLC 
005    20170929033726.0 
008    120921s2013    nyua     b    001 0 eng   
010      2012038785 
016 7  016260053|2Uk 
019    820964085 
020    9780393929164|q(paperback) 
020    0393929167|q(paperback) 
024 8  40021587885 
040    DLC|beng|cDLC|dYDX|dBTCTA|dYDXCP|dBWX|dIAD|dYUS|dUKMGB
       |dCDX|dIG#|dTTS|dUBY|dOCLCF|dICW|dTDF|dOCLCQ|dCHVBK|dOCLCO
       |dOCL|dGBVCP|dOCLCO|dOCLCQ|dOCLCO|dOCL|dIOD|dWCH 
042    pcc 
049    WCHA 
050 00 ML172|b.F74 2013 
090    ML172|b.F74 2013 
100 1  Freedman, Richard,|d1957-|0https://id.loc.gov/authorities/
       names/nr92021591 
245 10 Music in the Renaissance /|cRichard Freedman. 
264  1 New York :|bW.W. Norton,|c[2013] 
264  4 |c©2013 
300    xix, 258, A27 pages :|billustrations ;|c24 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Western music in context : a Norton history 
504    Includes bibliographical references and index. 
505 0  Music and the cultures of the Renaissance -- Learning to 
       be a musician -- Music at court and a songbook for 
       Beatrice -- Piety, devotion, and ceremony -- Structures 
       and symbols in cantus firmus and canon -- Number, medicine,
       and magic -- Music and the ideal courtier -- Josquin de 
       Prez and the "perfect art" -- Scribes, printers, and 
       owners -- Music and the literary imagination -- Music and 
       the crisis of belief -- The arts of improvisation, 
       embellishment, and variation -- Empire, exploration, and 
       encounter -- Tradition and innovation around 1600 -- 
       Glossary. 
520    Richard Freedman's Music in the Renaissance shows how 
       music and other forms of expression were adapted to 
       changing tastes and ideals in Renaissance courts and 
       churches. Giving due weight to sacred, secular, and 
       instrumental genres, Freedman invites readers to consider 
       who made music, who sponsored and listened to it, who 
       preserved and owned it, and what social and aesthetic 
       purposes it served. While focusing on broad themes such as
       music and the literary imagination and the art of 
       improvisation, he also describes Europeans' musical 
       encounters with other cultures and places [Publisher 
       description]. 
648  7 15th century|2fast 
648  7 16th century|2fast 
648  7 1400-1599|2fast 
650  0 Music|y15th century|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh2008108084 
650  0 Music|y16th century|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh2008108085 
650  7 Music.|2fast|0https://id.worldcat.org/fast/1030269 
650  7 Musik.|0(DE-588)4040802-4|2gnd 
650  7 Renaissance.|0(DE-588)4049450-0|2gnd 
650  7 Musik.|2gnd|0(DE-601)104137754 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
776 08 |iOnline version:|aFreedman, Richard, 1957-|tMusic in the 
       Renaissance.|dNew York : W.W. Norton, ©2013
       |w(OCoLC)983749811 
830  0 Western music in context.|0https://id.loc.gov/authorities/
       names/no2012153426 
901    MARCIVE 20231220 
948    |d20180926|clti|tlti-aex 
994    C0|bWCH