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008    130321s2013    nyua     b    001 0 eng   
010      2013011902 
019    852534933 
020    9780393929201|q(paperback) 
020    0393929205|q(paperback) 
024 8  40022473620 
035    (OCoLC)ocn807025405 
040    DLC|beng|erda|cDLC|dYDX|dBTCTA|dYDXCP|dBDX|dWEL|dBWX|dYUS
       |dUBY|dCHVBK|dOCLCF|dTDF|dWCH 
042    pcc 
049    WCHA 
050 00 ML197|b.A87 2013 
082 00 780.9/04|223 
090    ML197. A87|bM8 
100 1  Auner, Joseph Henry,|d1959-|0https://id.loc.gov/
       authorities/names/nr96011756 
245 10 Music in the twentieth and twenty-first centuries /
       |cJoseph Auner. 
250    First edition. 
264  1 New York :|bW. W. Norton and Company,|c[2013] 
300    xx, 306, 47 pages :|billustrations ;|c24 cm. 
336    text|2rdacontent 
337    unmediated|2rdamedia 
338    volume|2rdacarrier 
490 1  Western music in context: a Norton history 
504    Includes bibliographical references and index. 
505 0  Anthology repertoire -- Series editor's preface -- 
       Author's preface -- A sense of possibility. Tangled chaos 
       and the blank page ; Modern, modernism, modernity ; 
       Becoming a "possibilist" ; New possibilities and 
       perspectives ; For further reading -- Part I: From the 
       turn of the twentieth century through World War I. 
       Expanding musical worlds : New inner and outer landscapes 
       ; Modernism, modernity, and "systems of happiness and 
       balance" ; Gustav Mahler and the symphony as world ; Alma 
       Mahler and the new woman ; Debussy, symbolism, exoticism, 
       and the century of aeroplanes ; For further reading -- 
       Making new musical languages : Atonality, post-tonality, 
       and the emancipation of the dissonance ; Busoni's new 
       aesthetic of music ; Futurism and The art of noises ; 
       Strauss and referential tonality ; Skryabin's new harmonic
       structures ; Schoenberg, Berg, and Webern ; For further 
       reading -- Folk sources, the primitive, and the search for
       authenticity : Locating the folk ; Sibelius: creating 
       Finnishness ; Ives's America ; Primitivism and the folk ; 
       Bartók and the search for a mother tongue ; Stravinsky, 
       Russianness, and the folk estranged ; For further reading 
       -- Part II: The interwar years. New music taking flight : 
       Europe and America after the War ; Radio, recording, and 
       film ; Music for use ; New instruments, the sounds of the 
       city, and machine art ; Jazz, race, and the new music ; 
       For further reading -- Paris, neoclassicism, and the art 
       of the everyday : Neoclassicism ; Musical high life and 
       low life ; Music and cultural politics ; Antiquity and 
       ritual ; Eighteenth-century sources ; Tonality 
       defamiliarized ; The art of the everyday ; Jazz and "the 
       primitive" ; For further reading -- The search for order 
       and balance : Cultural politics of the search for order ; 
       The twelve-tone method ; New approaches to rhythm, texture,
       and form ; New tonalities ; For further reading -- 
       Inventing traditions : Villa-Lobos and Brasilidade ; 
       Vaughan Williams and "Englishness" ; The borders of 
       American music ; Copland and the American landscape ; 
       Still and the African-American experience ; McPhee's 
       imaginary homeland in Bali ; For further reading -- Part 
       III: World War II and its aftermath. Rebuilding amid the 
       ruins : Social transformations ; Britten's war requiem ; 
       Musical ramifications of the Cold War ; Shostakovich's 
       string quartet no. 8 ; For further reading -- Trajectories
       of order and chance : Post-World War II contexts ; Twelve-
       tone composition after World War II ; Integral serialism ;
       Chance, indeterminacy, and the blank page ; For further 
       reading -- Electronic music from the Cold War to the 
       computer age : Music, science, and technology in the Cold 
       War ; Manipulating sound in the studio ; Musique concrète 
       ; Notating, analyzing, and listening to electronic music ;
       Synthesizers ; Computer music ; For further reading -- 
       Part IV: From the 1960s to the present. Texture, timbre, 
       loops, and layers : Origins of texture music ; Ligeti's 
       sonorous textures and micropolyphony ; Textual approaches 
       in the music of Stockhausen and Boulez ; Mathematical 
       models ; Timbre and extended techniques ; Composing with 
       layers ; For further reading -- Histories recollected and 
       remade : The past in the present ; Quotation, protest, and
       social change ; Postmodernism ; Remaking traditions ; For 
       further reading -- Minimalism and its repercussions : 
       Origins and locales ; Minimalist art and musical processes
       ; Minimalist sources ; Pathways of postminimalism ; For 
       further reading -- Border crossings : Global encounters ; 
       Music in-between ; Multimedia and sound art ; Music, 
       science, and technology ; Artist and audience ; For 
       further reading. 
648  7 20th century|2fast 
648  7 21st century|2fast 
648  7 1900 - 2099|2fast 
650  0 Music|y20th century|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh2001000180 
650  0 Music|y21st century|xHistory and criticism.|0https://
       id.loc.gov/authorities/subjects/sh2010102768 
650  7 Music.|2fast|0https://id.worldcat.org/fast/1030269 
650  7 Music|xInstruction and study.|2fast|0https://
       id.worldcat.org/fast/1030347 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
830  0 Western music in context.|0https://id.loc.gov/authorities/
       names/no2012153426 
901    MARCIVE 20231220 
935    597895 
948    201409|bff 
994    C0|bWCH