| Description |
1 online resource. |
| Physical Medium |
polychrome |
| Description |
text file |
| Series |
The World Shakespeare Congress Proceedings
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World Shakespeare Congress Proceedings.
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| Bibliography |
Includes bibliographical references and index. |
| Contents |
Foreword; PART I. RENAISSANCE SHAKESPEARE: INTERPRETATIONS, PERFORMANCE, AND CONTEXTS; Chapter 1. Shakespeare: Man of the European Renaissance; INTERPRETATIONS; Chapter 2. Talbot, Incorporated; Chapter 3. Hamlet and the French Wars of Religion; Chapter 4. Ecology, Evolution, and Hamlet; Chapter 5. The Anticipatory Premise of History in the Reception of Shakespeare's Sonnets; Chapter 6. The Balance of Power in King Lear's Kingdoms; Chapter 7. "Here's a Strange Alteration": Contagion and the Mutable Mind in Coriolanus; Chapter 8. Making Visible: Afterlives in Shakespeare's Pericles. |
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Chapter 9. A Legal Assessment of the Circumstantial Evidence in The Winter's TaleChapter 10. Shakespeare's Lost Pastorals; PERFORMANCE; Chapter 11. Shakespeare and Festival; Chapter 12. Using On-Screen Modeling to Examine Shakespearean Stage Performance; Chapter 13. What Are We Doing When We're "Doing Shakespeare"? The Embodied Brain in Theatrical Experience; CONTEXTS; Chapter 14. The Queen of Bohemia's Wedding; Chapter 15. The Puritan Widow and London Parishes; Chapter 16. Old Repertory, New Theatre: Expectation and Experience in Christopher Beeston's Cockpit. |
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Chapter 17. "A Plague o' These Pickle Herring": From London Drinkers to European Stage ClownPART II. SHAKESPEARE RENAISSANCES: APPROPRIATIONS, ADAPTATIONS, AND AFTERLIVES; Chapter 18. Shakespeare's Theatre of Language: Czech Experience; Chapter 19. Directing Shakespeare: The Cold War Years; APPROPRIATIONS; Chapter 20. Shakespeare's Undiplomatic Readers; Chapter 21. Shakespeare: The Unmaking of a National Poet; Chapter 22. Shakespeare in Habsburg Transylvania; Chapter 23. Between the East and the West: Tsubouchi Shoyo's Production of Hamlet in 1911. |
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Chapter 24. "The Chap That Writes Like Synge": Shakespeare at the Abbey TheatreChapter 25. "Ease and Deliciousness": The Merchant of Venice and the Performance of Ethical Continuity in National Socialist Germany; Chapter 26. The Staging of The Merchant of Venice and Othello by Greek Political Exiles (1951-1953): Shakespeare in Extremis; Chapter 27. Reasoning the Need: Shakespeare Performance in Reunified Berlin; Chapter 28. An Anthropology of Italian Theory: Hamlet in Venice; Chapter 29. Robert Lepage among the Huron-Wendat: An(other) Aboriginal Treatment of La Tempête. |
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Chapter 30. Shakespeare and American Bilingualism: Borderland Productions of Romeo y JulietaChapter 31. The Brazilian Accent of Othello; Chapter 32. Tragedy's Honor, and Ours; ADAPTATIONS; Chapter 33. The Politics of Rape in Nahum Tate's The History of King Lear, 1681; Chapter 34. (Re)Touching: Shakespeare and Cinematic War Narratives; Chapter 35. Happily Never After? Women Filmmakers and the Tragedy of Macbeth; Chapter 36. Singing to Shakespeare in Omkara; Chapter 37. Renegotiating Female Power: Shakespearean Productions in Taiwan, 2000-2010; Chapter 38. Stratford Revisited. |
| Summary |
Selected contributions to the most prestigious international event in Shakespeare studies, the Ninth World Shakespeare Congress (2011), represent major trends in the field in historical and present-day contexts. Special attention is given to the impact of Shakespeare on diverse cultures, from the Native Americans to China and Japan. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Shakespeare, William, 1564-1616 -- Criticism and interpretation -- History -- 20th century -- Congresses.
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Shakespeare, William, 1564-1616. |
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Criticism and interpretation. |
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History. |
| Chronological Term |
20th century |
| Subject |
Shakespeare, William, 1564-1616 -- Stage history -- 1800-1950 -- Congresses.
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| Chronological Term |
1800-1950 |
| Subject |
Shakespeare, William, 1564-1616 -- Stage history -- 1950- -- Congresses.
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| Chronological Term |
1950- |
| Subject |
Theater -- History -- 20th century -- Congresses.
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Theater. |
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DRAMA -- English, Irish, Scottish, Welsh. |
| Chronological Term |
Since 1800 |
| Genre/Form |
Electronic book.
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Electronic books.
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Conference papers and proceedings.
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Criticism, interpretation, etc.
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History.
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Conference papers and proceedings.
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| Added Author |
Procházka, Martin, editor.
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Hoefele, Andreas, editor.
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Scolnicov, Hanna, editor.
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Dobson, Michael, 1960- editor.
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| Other Form: |
Print version: 9781611494600 1611494605 (DLC) 2013030707 |
| ISBN |
1611494613 (electronic book) |
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9781611494617 (electronic book) |
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9781644530597 (electronic book) |
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1644530597 (electronic book) |
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9781611494600 (cloth ; alkaline paper) |
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1611494605 (cloth ; alkaline paper) |
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1644530570 |
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9781644530573 |
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