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008    040114s2004    ctu      b    001 0 eng   
010      2004000646 
020    0313322910|qalkaline paper 
035    (OCoLC)ocm54046891 
035    425123 
040    DLC|beng|cDLC|dYDX|dEYE|dSYB|dOCLCQ|dBAKER|dBTCTA 
043    n-usn--|an-us--- 
049    RIDM 
050 00 PS3531.E933|bZ54 2004 
082 00 813/.54|222 
090    PS3531.E933 Z54 2004 
245 00 Ann Petry's short fiction :|bcritical essays /|cedited by 
       Hazel Arnett Ervin and Hilary Holladay. 
264  1 Westport, Conn. :|bPraeger Publishers,|c2004. 
300    xx, 183 pages ;|c25 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Contributions in Afro-American and African studies,|x0069-
       9624 ;|vno. 209 
504    Includes bibliographical references (pages 173-176) and 
       index. 
505 00 |gIntroduction /|rHazel Arnett Ervin,|rHilary Holladay --
       |gCHRONOLOGY --|tA World Made Cunningly: A Closer Look at 
       Ann Petry's Short Fiction /|rGladys J. Washington --|tAnn 
       Petry and African Poetics: A Review of "Solo on the Drums"
       /|rSheikh Umar Kamarah --|tFolk Traditions in the Short 
       Fiction of Ann Petry /|rGladys J. Washington --|tArtistic 
       Discourse in Three Short Stories by Ann Petry /|rNora Ruth
       Roberts --|tJazz/Blues Structure in Ann Petry's "Solo on 
       the Drums" /|rGayl Jones --|t"Miss Muriel": Rewriting 
       Innocence into Experience /|rPaul Wiebe --|t"From a 
       Thousand Different Points of View": The Multiple 
       Masculinities of Ann Petry's "Miss Muriel" /|rKeith Clark 
       --|tRiot as Ritual: Ann Petry's "In Darkness and 
       Confusion" /|rGeorge R. Adams --|t"Ain't No Room for Us 
       Anywhere": Reading Ann Petry's "In Darkness and Confusion"
       as a Migration Narrative /|rDeirdre Raynor --|tApartheid 
       Among the Dead; Or, On Christian Laughter in Ann Petry's 
       "The Bones of Louella Brown" /|rGene Fendt --|tNarrator as
       Feminist Ally in Ann Petry's "The Bones of Louella Brown" 
       /|rAmy Lee --|tTaking the Cake: Ann Petry's "Has Anybody 
       Seen Miss Dora Dean?" /|rBarbara Lewis --|t"The Man Who 
       Cried I am": Reading Race, Class and Gender in Ann Petry's
       "The Witness" /|rCarol E. Henderson --|tTraumatic 
       Reenactment and the Impossibility of African American 
       Testimony in Ann Petry's "Like a Winding Sheet" and "The 
       Witness" /|rEve Tettenborn. 
600 10 Petry, Ann,|d1908-1997|0https://id.loc.gov/authorities/
       names/n50010678|xCriticism and interpretation.|0https://
       id.loc.gov/authorities/subjects/sh99005576 
600 17 Petry, Ann,|d1908-1997.|2fast|0https://id.worldcat.org/
       fast/1432919 
648  7 20th century|2fast 
650  0 Women and literature|zUnited States|xHistory|y20th 
       century.|0https://id.loc.gov/authorities/subjects/
       sh2008113456 
650  0 African Americans in literature.|0https://id.loc.gov/
       authorities/subjects/sh85002009 
650  0 Short story.|0https://id.loc.gov/authorities/subjects/
       sh85121965 
650  7 Criticism and interpretation.|2fast|0https://
       id.worldcat.org/fast/1198648 
650  7 Women and literature.|2fast|0https://id.worldcat.org/fast/
       1177093 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 African Americans in literature.|2fast|0https://
       id.worldcat.org/fast/799727 
650  7 Short story.|2fast|0https://id.worldcat.org/fast/1117446 
651  0 New England|xIn literature.|0https://id.loc.gov/
       authorities/subjects/sh2008116295 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
651  7 New England.|2fast|0https://id.worldcat.org/fast/1241913 
700 1  Ervin, Hazel Arnett.|0https://id.loc.gov/authorities/names
       /n92098309 
700 1  Holladay, Hilary.|0https://id.loc.gov/authorities/names/
       n96028461 
830  0 Contributions in Afro-American and African studies ;
       |0https://id.loc.gov/authorities/names/n42008251|vno. 209.
856 41 |3Table of contents|uhttp://www.loc.gov/catdir/toc/
       ecip0413/2004000646.html 
901    MARCIVE 20231220 
935    425123 
994    C0|bRID