| Description |
x, 449 pages : illustrations ; 24 cm. |
| Series |
Eastman studies in music,
1071-9989
|
|
Eastman studies in music.
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Beyond unity : toward an understanding of musical postmodernism / Jonathan D. Kramer -- Art-science of music after two millennia / Robert Cogan -- Aspects of confluence between western art music and ethnomusicology / Robert D. Morris -- Twelve-tone composition and the music of Elliott Carter / Andrew Mead -- Analysis of polyrhythm in selected improvised jazz solos / Cynthia Folio -- Generalization of contour theory to diverse musical spaces : analytical applications to the music of Dallapiccola and Stockhausen / Elizabeth West Marvin -- Beatles as composers : the genesis of Abbey Road, side two / Walter Everett -- Structural factors in the microcanonic compositions of Gyorgy Ligeti / Jane Piper Clendinning -- Theory, analysis, and the "problem" of minimal music / Jonathan W. Bernard -- Question of climax in Ruth Crawford's string quartet, Mvt. 3 / Ellie M. Hisama -- Does the song remain the same? : questions of authorship and identification in the music of Led Zeppelin / Dave Headlam -- Theories of chordal shape, aspects of linguistics, and their roles in struct uring Berio's Sequenza IV for piano / Richard Hermann -- Stylistic competencies, musical satire, and "This is spinal tap" / John Covach -- Music theory and the postmodern muse : an afterword / Nicholas Cook. |
| Subject |
Music -- 20th century -- History and criticism.
|
|
Music. |
| Chronological Term |
20th century |
| Subject |
Music -- 20th century -- Analysis, appreciation.
|
|
Popular music -- History and criticism.
|
|
Popular music. |
| Added Author |
Marvin, Elizabeth West, 1955-
|
|
Hermann, Richard, 1950-
|
| ISBN |
187882242X |
|
