Includes bibliographical references (pages 353-361) and index.
Includes filmography (pages 363-365).
Contents
Introduction -- Production and style. Cinema's hidden multi-channel history and the origins of digital surround -- The sound of 5.1 : aural aesthetics -- The look of 5.1 : visual aesthetics -- Decoding the digital surround style -- Using the digital surround style -- Analysis. Studying multi-channel soundtracks -- Studying image/sound interactions -- Theory. Body and voice -- Apparatus theory -- The real and the symbolic -- Conclusion : media and media studies in the digital surround age.
Summary
The impact of digital surround sound on filmmaking.
Local Note
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America