LEADER 00000cam a2200493 i 4500
001 on1252737479
003 OCoLC
005 20220526101422.0
008 210524t20222022enka b 001 0deng
010 2021024554
020 9781108489843|q(hardback)
020 1108489842|q(hardback)
020 9781108747677|q(paperback)
020 1108747671|q(paperback)
020 |z9781108779531|q(epub)
020 |z9781108805520|q(PDF ebook)
040 DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dYDX|dOCLCA|dUKMGB|dCDX
|dOCLCO|dTJC|dWCH
042 pcc
049 WCHA
050 00 ML417.S4|bC74 2022
090 ML417.S38|bC53 2022
245 00 Clara Schumann studies /|cedited by Joe Davies.
264 1 Cambridge, United Kingdom ;|aNew York, NY :|bCambridge
University Press,|c2022.
264 4 |c©2022
300 xix, 307 pages :|billustrations ;|c25 cm.
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
490 1 Cambridge composer studies
504 Includes bibliographical references (pages 292-300) and
index.
505 00 |tIntroduction : Clara Schumann in the musicological
imagination /|rJoe Davies --|tClara and Robert Schumann's
circles in Dresden : 'I take the liberty to request from
you an invitation [...] to your musical matinée' /|rAnja
Bunzel --|tDisillusionment and patriotism : Clara and
Robert Schumann in the wake of the 1848-1849 revolutions /
|rSusan Youens --|tSoftened, smudged, erased : Punctuation
and continuity in Clara Schumann's Lieder /|rStephen
Rodgers --|tA way with words : Expressive declamation in
Clara Schumann's songs /|rHarald Krebs --|tClara Schumann
and the nineteenth-century piano concerto /|rJoe Davies --
|tClara Schumann and Bach /|rSusan Wollenberg --|tFormal
innovation and virtuosity in Clara Schumann's Piano trio
in G minor, op. 17 /|rNicole Grimes --|tContextualizing
Clara Schumann's Romanzen /|rKatharina Uhde & R. Larry
Todd --|tYoung prophetess in performance /|rAmanda Lalonde
--|tClara Schumann's compositional and concertizing
strategies, and Robert Schumann's piano sets /|rAlexander
Stefaniak --|tClara : Robert's posthumous androgyne /|rRoe
-Min Kok --|tClara Schumann, 'Clara Schumann', and the
American press /|rJonathan Kregor --|tClara Schumann's
legacy as a teacher /|rNatasha Loges.
520 "Since the 1980s, when she re-emerged from the peripheries
into a more central position in music studies, Clara
Schumann (1819-1896) has exerted an enduring fascination
over the scholarly and popular imagination. Revisionist
biographies, the uncovering of primary sources (diaries,
letters, memorabilia), and filmic and literary depictions
of Schumann have all brought into sharper focus the
details and reception of her life, while simultaneously
drawing attention to how much there is still to learn
about her creativity. This book brings together a team of
leading scholars to reappraise Clara Schumann in three
particular respects: first, by delving deeper into her
social and musical contexts; secondly, by offering fresh
analytical perspectives on her songs and instrumental
music; and thirdly, by reconsidering her legacy as a
pianist and teacher"--|cProvided by publisher.
600 10 Schumann, Clara,|d1819-1896|0https://id.loc.gov/
authorities/names/n50003165|xCriticism and interpretation.
|0https://id.loc.gov/authorities/subjects/sh99005576
600 17 Schumann, Clara,|d1819-1896.|2fast|0https://
id.worldcat.org/fast/757
650 7 Criticism and interpretation.|2fast|0https://
id.worldcat.org/fast/1198648
655 7 Criticism, interpretation, etc.|2fast|0https://
id.worldcat.org/fast/1411635
700 1 Davies, Joe|c(Musicologist),|0https://id.loc.gov/
authorities/names/no2019017024|eeditor.
776 08 |iOnline version:|tClara Schumann studies|b[1.]|dCambridge,
United Kingdom ; New York, NY : Cambridge University Press,
2021|z9781108779531|w(DLC) 2021024555
830 0 Cambridge composer studies.|0https://id.loc.gov/
authorities/names/no2016017860
901 MARCIVE 20231220
994 C0|bWCH
