| Description |
1 audio disc : digital ; 4 3/4 in. |
| Physical Medium |
4 3/4 in. |
| Description |
digital |
|
optical |
|
1.4 m/s |
|
stereo |
|
digital recording |
| Note |
Opera and oratorio arias for bass voice. |
| Performer |
Christopher Purves, bass ; Arcangelo ; Jonathan Cohen, conductor. |
| Event |
Recorded Jan. 19-20 and 23-24, 2012, All Hallows, Gospel Oak, London. |
| Note |
Compact disc. |
|
Program notes in English with French and German translations, and texts in English or Italian with English translation (23 p. : ports.) inserted in container. |
| Contents |
Rinaldo : HWV7a. Sibilar gli angui d'Aletto (4:50) -- Acis and Galatea : HWV 49a. I rage, I melt, I burn! (1:21) ; O ruddier than the cherry (3:13) -- Aci, Galatea e Polifemo : HWV 72. Fra l'ombre e gl'orrori (6:59) -- L'Allegro, il Penseroso ed il Moderato : HWV 55. If I give thee honor due (:12) ; Mirth, admit me of thy crew (2:34) -- La Resurrezione : HWV 47. Qual'insolita luce (1:09) ; Caddi, è ver (4:15) -- Deborah : HWV 51. Tears, such as tender fathers shed (2:30) -- Belshazzar : HWV 61. To pow'r immortal my first thanks are due (3:55) -- Orlando : HWV 31. Impari ognun da Orlando (1:11) ; Sorge infausta una procella (4:35) -- Theodora : HWV 68. Racks, gibbets, sword and fire (3:56) -- Muzio Scevola : HWV 13. Volate più dei venti (3:24) -- Agrippina : HWV 6. Vieni, o cara (1:45) -- Rriccardo primo, re d'Inghilterra : HWV 23. Nel mondo e nell'abisso (3:13) -- Apollo e Dafne : HWV 122. Mie piante correte (2:50) ; Cara pianta (7:27) -- Alexander's feast : HWV 75. Revenge, Timotheus cries (7:55) -- Semele : HWV 58. Leave me, loathsome light (3:40). |
| Language |
Sung in English and Italian. |
| Subject |
Songs (Low voice) with orchestra.
|
|
Songs (Low voice) with orchestra. |
|
Operas -- Excerpts.
|
|
Operas -- Excerpts. |
|
Oratorios -- Excerpts.
|
|
Oratorios -- Excerpts. |
| Genre/Form |
Sound recordings.
|
|
Sound recordings.
|
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Excerpts.
|
|
Excerpts.
|
| Added Author |
Purves, Christopher, singer.
|
|
Cohen, Jonathan, 1977- conductor.
|
|
Handel, George Frideric, 1685-1759.
Rinaldo. Sibillar gli angui d'Aletto.
|
|
Handel, George Frideric, 1685-1759.
Acis and Galatea, HWV 49a. O ruddier than the cherry.
|
|
Handel, George Frideric, 1685-1759.
Aci, Galatea e Polifemo. Fra l'ombre e gl'orrori.
|
|
Handel, George Frideric, 1685-1759.
Allegro, il Penseroso ed il Moderato. Mirth, admit me of thy crew.
|
|
Handel, George Frideric, 1685-1759.
Resurrezione. Caddi, è ver.
|
|
Handel, George Frideric, 1685-1759.
Deborah. Tears such as tender fathers shed.
|
|
Handel, George Frideric, 1685-1759.
Belshazzar. To pow'r immortal my first thanks are due.
|
|
Handel, George Frideric, 1685-1759.
Orlando. Sorge infausta una procella.
|
|
Handel, George Frideric, 1685-1759.
Theodora. Racks, gibbets, sword, and fire.
|
|
Handel, George Frideric, 1685-1759.
Volate più dei venti.
|
|
Handel, George Frideric, 1685-1759.
Agrippina. Vieni, oh cara.
|
|
Handel, George Frideric, 1685-1759.
Riccardo I, rè d'Inghilterra. Nel mondo e nell'abisso.
|
|
Handel, George Frideric, 1685-1759.
Apollo e Dafne. Cara pianta co' miei pianti.
|
|
Handel, George Frideric, 1685-1759.
Alexander's feast. Revenge, revenge, revenge, Timotheus cries.
|
|
Handel, George Frideric, 1685-1759.
Semele. Leave me, leave me, loathsome light.
|
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Arcangelo (Musical group), performer.
|
| Added Title |
Vocal music. Selections https://id.loc.gov/authorities/names/n86102624
|
| Note |
Title on container: Handel's finest arias for base voice |
| Added Title |
Finest arias for bass voice |
| Standard No. |
034571178424 |
| Music No. |
CDA67842 Hyperion |
|
67842 Hyperion |
|
