LEADER 00000cam a2200781Mi 4500 001 ocn903974155 003 OCoLC 005 20190712071319.9 006 m o d 007 cr cn||||||||| 008 130524t20132013gw a ob 100 0deng d 010 2013382467 016 7 1028835965|2DE-101 016 7 1028835965|2GyFmDB 019 900418736|a957596702|a959866278|a979892149|a1005825350 |a1021255229|a1023568917|a1048167103|a1050960613 |a1054305623|a1107368274 020 9783839423066|q(electronic book) 020 3839423066|q(electronic book) 020 |z9783837623062|q(paperback) 020 |z3837623068|q(paperback) 024 7 10.14361/transcript.9783839423066|2doi 035 (OCoLC)903974155|z(OCoLC)900418736|z(OCoLC)957596702 |z(OCoLC)959866278|z(OCoLC)979892149|z(OCoLC)1005825350 |z(OCoLC)1021255229|z(OCoLC)1023568917|z(OCoLC)1048167103 |z(OCoLC)1050960613|z(OCoLC)1054305623|z(OCoLC)1107368274 037 22573/ctv1wm94v|bJSTOR 037 100517|bKnowledge Unlatched 040 E7B|beng|erda|epn|cE7B|dOCLCQ|dYDXCP|dOCLCF|dOCLCO|dDEBSZ |dOCLCQ|dIAS|dORE|dVGM|dIOG|dELW|dVT2|dOCLCO|dDEGRU|dCHVBK |dUAB|dU3W|dOAPEN|dJSTOR|dUKKNU|dKF5|dCEF|dBIBBD|dOCLCQ |dOCLCO|dZQP|dICN|dSOI|dEZ9|dOCLCQ|dERL|dLOA|dLVT|dOCLCQ |dTXR|dLEAUB|dUPM|dDKC|dOCLCO|dAU@|dOCLCO|dOCLCQ|dOCLCO 049 RIDW 050 4 N8257|b.D64 2013eb 072 7 ART|x059000|2bisacsh 072 7 HIS|x054000|2bisacsh 072 7 SOC|x022000|2bisacsh 082 04 704.9493036|223 090 N8257|b.D64 2013eb 245 00 Does war belong in museums? :|bthe representation of violence in exhibitions /|cWolfgang Muchitsch (ed.). 264 1 Bielefeld :|bTranscript,|c[2013] 264 4 |c©2013 300 1 online resource (224 pages) :|billustrations (some color). 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 340 |gpolychrome|2rdacc 347 text file|bPDF|2rda 490 1 Edition Museumsakademie Joanneum ;|vvolume 4 500 International conference proceedings. 504 Includes bibliographical references. 505 00 |tDoes war belong in museums? The representation of violence in exhibitions /|rWolfgang Muchitsch -- |tIntroduction /|rPiet de Gryse --|tMuseums and the representation of war /|rJay Winter --|tMilitary museums and social history /|rBarton C. Hacker, Margaret Vining -- |tContents and space: new concept and new building of the Militärhistorisches Museum of the Bundeswehr /|rGorch Pieken --|tFrom technical showroom to full-fledged museum: the German Tank Museum Munster /|rRalf Raths --|tMuseum of Military History/Institute of Military History in Vienna: history, organisation and significance /|rChristian M. Ortner --|tConcept for a new permanent exhibition at the Museum Altes Zeughaus /|rCarol Nater Cartier --|tA pedagogical and educational approach to the two world wars at the Royal Museum of the Armed Forces and of Military History in Brussels /|rChristine Van Everbroeck, Sandrine Place, Sandra Verhulst --|tAbout the beauty of war and the attractivity of violence /|rPer B. Rekdal --|tBomb and the city: presentations of war in German city museums / |rSusanne Hagemann --|tWar in context: let the artifacts speak /|rRobert M. Ehrenreich, Jane Klinger --|tWar museums and photography /|rAlexandra Bounia, Theopisti Stylianou-Lambert --|tMonument is invisible, the sign visible. Monuments in new perspectives /|rWerner Fenz -- |tPolitics of memory and history in the museum --|tNew "museum of the history of the Great Patriotic War" in Minsk/Belarus /|rKristiane Janeke --|tFraming the military -nation: new war museums and changing representational practices in Turkey since 2002 /|rPatrizia Kern. 520 Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate - - and what images would be desirable? 542 1 |fThis work is licensed by Knowledge Unlatched under a Creative Commons license|uhttps://creativecommons.org/ licenses/by-nc-nd/4.0/legalcode 546 In English. 588 0 Print version record. 590 JSTOR|bBooks at JSTOR Open Access 650 0 Violence in art|vExhibitions.|0https://id.loc.gov/ authorities/subjects/sh2010117917 650 0 War in art|vExhibitions.|0https://id.loc.gov/authorities/ subjects/sh2008113361 650 7 Violence in art.|2fast|0https://id.worldcat.org/fast/ 1167273 650 7 War in art.|2fast|0https://id.worldcat.org/fast/1170504 655 4 Electronic books. 655 7 Exhibition catalogs.|2fast|0https://id.worldcat.org/fast/ 1424028 655 7 Exhibition catalogs.|2lcgft|0https://id.loc.gov/ authorities/genreForms/gf2014026098 655 7 Conference papers and proceedings.|2lcgft|0https:// id.loc.gov/authorities/genreForms/gf2014026068 655 7 Conference papers and proceedings.|2fast|0https:// id.worldcat.org/fast/1423772 700 1 Muchitsch, Wolfgang,|d1963-|0https://id.loc.gov/ authorities/names/nr93049845|eeditor. 776 08 |iPrint version:|tDoes war belong in museums? : the representation of violence in exhibitions.|dBielefeld : Transcript, [2013]|h223 pages ; 23 cm|kEdition Museumsakademie Joanneum ; volume 4|z9783837623062|w(DLC) 11012964|w(OCoLC)842914020 830 0 Edition Museumsakademie Joanneum ;|0https://id.loc.gov/ authorities/names/no2012014716|vBd. 4. 856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctv1wxr1z|zOnline eBook. Open Access via JSTOR. 901 MARCIVE 20231220 948 |d20190820|cJSTOR EBSCO|tJSTOROpenAccess EBSCOebooksacademic UPDATES 5472J 1248 BOTH 7-12-19|lridw 948 |d20181009|cJSTOR|tJSTOROpenAccess NEW 9-21-18 8 |lridw 994 92|bRID