LEADER 00000cam a2200445 4500 001 ocm00708127 001 708127|z(OCoLC)16231339 005 20090527083423.0 008 840817s1973 enk b 001 0 eng 010 73168713 015 GB73-17507 019 16231339 020 0192121898 020 9780192121899 020 0192811266 (pbk.) 020 9780192811264 (pbk.) 035 (OCoLC)ocm00708127 035 (OCoLC)708127|z(OCoLC)16231339 040 DLC|cDLC|dUKM|dBUF|dNLGGC|dOCLCG|dWY@ 043 e-uk--- 049 RIDM 050 00 PR821|b.B7 082 00 823/.009|218 082 4 823/.03 084 18.05|2bcl 090 PR821 .B7 100 1 Bradbury, Malcolm,|d1932-2000. 245 10 Possibilities: essays on the state of the novel. 260 London,|aNew York,|bOxford University Press,|c1973. 300 xiii, 297 p.|c21 cm. 504 Includes bibliographical references and index. 505 00 |gpt. 1.|tThe novel and reality:|tThe open form: the novel and reality --|gpt. 2.|tThe novel and the comic mode: |tFielding, Sterne, and the comic modes of fiction -- |t'The most interesting moving picture': Fanny Hill and comedy --|tPersuasions: moral comedy in Emma and Persuasion --|gpt. 3.|tModernisms:|tPhases of modernism: the novel and the 1920s --|tE.M. Forster as Victorian and modern: Howards End and A passage to India --|tVirginia Wool and Ford Madox Ford: two styles of modernity --|tThe modern comic novel in the 1920s: Lewis, Huxley, and Waugh --|tpt. 4.|tThe novel today:|tThe postwar English novel -- |tMalcolm Lowry as modernist --|tWilliam Cooper and the 1950s: Scenes from provincial life --|tC.P. Snow's bleak landscape --|tThe fiction of Pastiche: the comic mode of Angus Wilson --|t'A house fit for free characters': Iris Murdoch and Under the net --|tMuriel Spark's fingernails - -|tThe novelist as impresario: John Fowles and his Magus - -|gpt. 5.|tTowards a poetics of the novel:|tThe novel and its poetics. 530 Also issued online. 650 0 English fiction|xHistory and criticism. 653 Fiction in English, 1700-1966 Critical studies. Essays 935 4766 994 C0|bRID
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