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001    on1097364829 
003    OCoLC 
005    20200717185714.6 
006    m     o  d         
007    cr ||||||||||| 
008    190409s2019    pau     ob    001 0 eng   
010      2019017123 
020    168448121X|qPDF 
020    9781684481217|q(electronic book) 
035    (OCoLC)1097364829 
040    DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dPBU|dN$T 
042    pcc 
043    nwpr--- 
049    RIDW 
050  4 PN1993.5.P9|bG365 2019eb 
082 04 791.43097295|223 
084    PER004030|aHIS041000|aPOL045000|aSOC044000|aHIS036060
       |2bisacsh 
090    PN1993.5.P9|bG365 2019eb 
100 1  García-Crespo, Naida,|d1984-|0https://id.loc.gov/
       authorities/names/n2019014633|eauthor. 
245 10 Early Puerto Rican cinema and nation building :|bnational 
       sentiments, transnational realities, 1897-1940 /|cNaida 
       Garcia-Crespo. 
263    1908 
264  1 Lewisburg, PA :|bBucknell University Press,|c[2019] 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bn|2rdamedia 
338    online resource|bnc|2rdacarrier 
347    text file|2rdaft 
490 1  Bucknell studies in Latin American literature and theory 
504    Includes bibliographical references and index. 
505 00 |g1.|tContexts for a National Cinema: Cultural, Political,
       and Economic Movements in Puerto Rico (1860-1951) --|tLate
       Spanish Colonialism through 1898 --|tCircumstances and 
       Consequences of the U.S. Invasion --|tInitial US. 
       Congressional Rule and the Formation of Puerto Rican 
       Identity --|tPuerto Rican Conceptions of the Nation from 
       1930 Onward --|g2.|tCinema Comes to Puerto Rico: 
       Historical Uncertainties and Ambiguous Identities (1897-
       1909) --|tFilm Exhibition in Turn-of-the-Century Puerto 
       Rico --|tRumors of War Footage --|tRepresenting U.S. 
       Colonial Puerto Rico --|g3.|tStateless Nationhood, 
       Transnationalism, and the Difficulties of Assigning 
       Nationality: Rafael Colorado in Puerto Rican 
       Historiography (1912-1916) --|tRafael Colorado, Film 
       Exhibition, and the Transnational Circulation of Cultural 
       Subjects --|tRafael Colorado as Cinematic Producer: 
       Negotiating the Local and the Global --|tCitizenship in a 
       Stateless Nation: Constructing the Puerto Rican Subject --
       |g4.|tIn the Company of the Elites: The Discourses and 
       Practices of the Tropical Film Company (1916-1917) --
       |tInconsistencies in the Received Histories of the 
       Tropical Film Company --|tEducational/Cultural Project of 
       the Tropical Film Company --|tTropical Film Company's 
       Commercial Aims --|tEnd of the Beginning: The Tropical 
       Film Company's Demise and Legacy --|g5.|tPerilous Paradise
       : American Assignment and Appropriation of "Puerto 
       Ricanness" (1917-1915) --|tFrom Big Stick to Good Neighbor
       : Puerto Rico as Test Site for American Foreign Policy --
       |tFictional Puerto Rico and Colonial Angst --|tPuerto 
       Rico's Commercial Production Model --|tU.S. Cinema Falls 
       in Love with the Tropics --|tMacManus/Pathe Productions --
       |tFamous Players-Lasky/Paramount Comes to the Island --
       |tBeyond Fiction: Other Aspects of the Puerto Rican Film 
       Industry in the 1910s --|g6.|tMaking the Nation Profitable
       : Industry-Centered Transnational Approaches to Filmmaking
       (1923-1940) --|tFilm Enthusiast: The Career of Juan E. 
       Viguie Cajas --|tRomance tropical: Remaking the Dream --
       |tFilm Impresario: The Career of Rafael Ramos Cobian --
       |tMis dos amores: The Union of Hollywood and Latin America
       --|tLos hijos mandan: The Separation of Hollywood and 
       Latin America --|tEnd of an Era: The Local Government as 
       Producer. 
520    "National Sentiments, Transnational Realities focuses on 
       the processes of Puerto Rican national identity formation 
       as seen through the historical development of cinema on 
       the island between 1897 and 1940. Anchoring my work in 
       archival sources in film technology, economy, and 
       education, I argue that Puerto Rico's position as a 
       stateless nation allows for a fresh understanding of 
       national cinema based on perceptions of productive 
       cultural contributions rather than on citizenship or state
       structures. This book aims to contribute to recently 
       expanding discussions of cultural networks by analyzing 
       how Puerto Rican cinema navigates the problems arising 
       from the connection and/or disjunction between nation and 
       state. I argue that Puerto Rico's position as a stateless 
       nation puts pressure on traditional conceptions of 
       national cinema, which tend to rely on assumptions of 
       state support or a bounded nation-state. I also contend 
       that the cultural and business practices associated with 
       early cinema reveal that transnationalism is an integral 
       part of national identities and their development. In 
       other words, I show throughout this project that the 
       development and circulation of cinema in Puerto Rico 
       illustrate how the "national" is built from transnational 
       connections"--|cProvided by publisher. 
588    Electronic version record 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Motion pictures|0https://id.loc.gov/authorities/subjects/
       sh85088084|zPuerto Rico|0https://id.loc.gov/authorities/
       names/n79063677-781|xHistory.|0https://id.loc.gov/
       authorities/subjects/sh99005024 
650  0 Motion picture industry|0https://id.loc.gov/authorities/
       subjects/sh85088047|zPuerto Rico|0https://id.loc.gov/
       authorities/names/n79063677-781|xHistory.|0https://
       id.loc.gov/authorities/subjects/sh99005024 
650  0 Motion pictures|xSocial aspects|0https://id.loc.gov/
       authorities/subjects/sh85088108|zPuerto Rico.|0https://
       id.loc.gov/authorities/names/n79063677-781 
650  0 National characteristics in motion pictures.|0https://
       id.loc.gov/authorities/subjects/sh00001044 
650  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1027285 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Motion picture industry.|2fast|0https://id.worldcat.org/
       fast/1027150 
650  7 Motion pictures|xSocial aspects.|2fast|0https://
       id.worldcat.org/fast/1027384 
650  7 National characteristics in motion pictures.|2fast|0https:
       //id.worldcat.org/fast/1033336 
651  7 Puerto Rico.|2fast|0https://id.worldcat.org/fast/1205432 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aGarcía-Crespo, Naida, 1984- author.
       |tEarly Puerto Rican cinema and nation building|dLewisburg,
       PA : Bucknell University Press, [2019]|z9781684481187
       |w(DLC)  2019012861|w(OCoLC)1057377600 
830  0 Bucknell studies in Latin American literature and theory.
       |0https://id.loc.gov/authorities/names/n00024790 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2486092|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948 00 |d20200727|cEBSCO|tEBSCOebooksacademic NEW June-July 17 
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994    92|bRID