| Description |
xvi, 393 pages : music ; 26 cm |
| Summary |
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. |
| Contents |
Part I. Harmony in Two and Three Parts -- 1. Two-Part Scale Realization : 1.1. Parallel Thirds and Parallel Sixths ; 1.2. Alternation of Thirds and Sixths ; 1.3. Suspensions: Sevenths and Seconds ; 1.4. Variants of Suspension Patterns -- 2. Three-Part Scale Realization : 2.1. The Fauxbourdon ; 2.2. The Monte and the 7-6 Fauxbourdon ; 2.3. The Stepwise Romanesca ; 2.4. Fifth Down Fourth Up ; 2.5. The Tied Bass -- 3. The Three-Part Cadence : 3.1. The Simple Cadence ; 3.2. The Compound Cadence ; 3.3. The Double Cadence; 3.4. The Galant Cadence ; 3.5. The Neapolitan Cadence -- 4. The Rule of the Octave : 4.1. The Ascending Pentachord ; 4.2. The Descending Pentachord ; 4.3. The Ascending Tetrachord ; 4.4. The Descending Tetrachord -- 5. Galant Schemata : 5.1. The Leaping Romanesca ; 5.2. The Quiescenza ; 5.3. The Prinner ; 5.4. The Monte Romanesca ; 5.5. The Fenaroli ; 5.6. The Folia -- Part II. Harmony in Four Parts -- 6. Fundamentals of Four-Part Harmony : 6.1. The Compound Cadence (II) ; 6.2. The Galant Cadence (II) ; 6.3. The Discant Cadence ; 6.4. The Dominant Seventh Chord ; 6.5. The Dominant Seventh Family ; 6.6. The Four-Part Rule of the Octave -- 7. Beyond the Rule of the Octave : 7.1. The Diminished Seventh Family ; 7.2. Fifth Down Fourth Up and Third Down Second Up ; 7.3. The Tied Bass (II) ; 7.4. Descending Thirds ; 7.5. The Folia (II) -- 8. Chromaticism : 8.1. The Fonte ; 8.2. The Chromatic Monte ; 8.3. Tonicization in Descending Thirds ; 8.4. The Chromatic Tetrachord: The Lamento ; 8.5. The Chromatic Tetrachord: Advanced Realizations ; 8.6. The Chain of Dominants -- 9. Enharmonization : 9.1. The Minor Seventh and the Augmented Sixth ; 9.2. The Augmented Sixth and the Minor Seventh ; 9.3. Enharmonizations of the Diminished Seventh Chord 9.4. Enharmonizations of the Augmented Fifth Triad ; 9.5. The Omnibus -- Appendix I: Chord Construction ; Appendix II: Cadences. |
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Part I. Harmony in Two and Three Parts. 1. Two-Part Scale Realization ; 1.1. Parallel Thirds and Parallel Sixths ; 1.2. Alternation of Thirds and Sixths ; 1.3. Suspensions: Sevenths and Seconds ; 1.4. Variants of Suspension Patterns ; 2. Three-Part Scale Realization ; 2.1. Fauxbourdon ; 2.2. Monte and the 7-6 Fauxbourdon ; 2.3. Stepwise Romanesca ; 2.4. Fifth Down Fourth Up ; 2.5. Tied Bass ; 3. Three-Part Cadence ; 3.1. Simple Cadence ; 3.2. Compound Cadence ; |
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3.3. Double Cadence; 3.4. Galant Cadence ; 3.5. Neapolitan Cadence ; 4. Rule of the Octave ; 4.1. Ascending Pentachord ; 4.2. Descending Pentachord ; 4.3. Ascending Tetrachord ; 4.4. Descending Tetrachord ; 5. Galant Schemata ; 5.1. Leaping Romanesca ; 5.2. Quiescenza ; 5.3. Prinner ; 5.4. Monte Romanesca ; 5.5. Fenaroli ; 5.6. Folia -- Part II. Harmony in Four Parts. 6 Fundamentals of Four-Part Harmony ; 6.1. Compound Cadence (II) ; 6.2. Galant Cadence (II) ; 6.3. Discant Cadence ; 6.4. Dominant Seventh Chord ; 6.5. Dominant Seventh Family ; |
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6.6. Four-Part Rule of the Octave; 7. Beyond the Rule of the Octave ; 7.1. Diminished Seventh Family ; 7.2. Fifth Down Fourth Up and Third Down Second Up ; 7.3. Tied Bass (II) ; 7.4. Descending Thirds ; 7.5. Folia (II) ; 8. Chromaticism ; 8.1. Fonte ; 8.2. Chromatic Monte ; 8.3. Tonicization in Descending Thirds ; 8.4. Chromatic Tetrachord: The Lamento ; 8.5. Chromatic Tetrachord: Advanced Realizations ; 8.6. Chain of Dominants ; 9. Enharmonization. 9.1. Minor Seventh and the Augmented Sixth ; 9.2. Augmented Sixth and the Minor Seventh ; |
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9.3. Enharmonizations of the Diminished Seventh Chord 9.4. Enharmonizations of the Augmented Fifth Triad ; 9.5. Omnibus ; Appendix I: Chord Construction ; Appendix II: Cadences ; Suggestions for Further Reading ; Index ; Workbook. |
| Bibliography |
Includes bibliographical references and index. |
| Subject |
Counterpoint.
|
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Counterpoint. |
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Harmony.
|
|
Harmony. |
|
Harmonielehre. |
|
Harmonik. |
|
Kontrapunkt. |
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Partimento. |
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Contrapunt. |
|
Harmonieleer. |
| ISBN |
9780190695002 hardcover |
|
0190695005 hardcover |
|
9780190695019 paperback |
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0190695013 paperback |
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9780190695040 online teacher's manual |
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0190695048 online teacher's manual |
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9780190695057 online workbook |
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0190695056 online workbook |
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