Description |
xvi, 193 pages ; 23 cm. |
Series |
Filmmakers series ; no. 47
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Filmmakers series ; no. 47.
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Bibliography |
Filmography: pages 161-167. |
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Discography: pages 179-184. |
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Includes bibliographical references. |
Contents |
Overture -- Emergence of a musical genre. Hammer's early composer. Malcolm Arnold. Ivor Stanley -- Musical directors, musical direction. John Hollingsworth. Marcus Dodds. Philip Martell -- Reused music -- James Bernard. Beginnings in science fiction. Dracula: music for the dark lor. Frankenstein created music. Of hounds and mysterious children. The gorgon. Vampires, zombies, and devils -- Diverse hands. Don Banks. Humphrey Searle. Loenard Salzedo. Franz Reizenstein. Benjamin Frankel. Clifton Parker. Edwin T. Astley. Monty Norman and David Heneker. Richard Rodney Bennett. Malcolm Williamson. Stanley Black. Elisabeth Lutyens. Carlo Martelli. Wilfred Josephs. Mario Nascimbene. Tristam Cary. Gerard Schurmann -- Twilight. Harry Robinson and the Karnstein Trilogy. David Whitaker. Christopher Gunning. John McCabe. Laurie Johnson -- Swan songs. Don Ellis. Roland Shaw. Michael Vickers. John Cacavas. Paul Glass -- Nonhorror notables. Douglas Gamley. Alun Hoddinott. Gary Hughes. Richard Hartley -- Hammer's television music -- "Alas poor Hammer, I knew it well" / Harry Robertson. |
Subject |
Motion picture music -- Great Britain -- History and criticism.
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Motion picture music. |
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Great Britain. |
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Hammer Film Productions.
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Hammer Film Productions. |
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Horror films -- Great Britain -- History and criticism.
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Horror films. |
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Hammer Film Productions. |
Indexed Term |
Cinema Films (Motion pictures) Music History |
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Great Britain |
ISBN |
0810829754 |
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