| Description |
1 audio disc : digital ; 4 3/4 in. |
| Physical Medium |
4 3/4 in. |
| Description |
digital |
|
optical |
|
1.4 m/s |
|
digital recording |
| Performer |
James Bowman, countertenor ; King's Consort ; Robert King, conductor. |
| Note |
Selections previously released. |
|
Compact disc. |
|
Program notes and texts with English translations (19 p. : ports.)--inserted in container. |
| Contents |
Erbarme dich / Bach -- Almighty power / Handel -- Britain, thou now are great / Purcell -- Yet can I hear that dulcet lay / Handel -- Come tread the paths / anon. -- Crudeltà nè lontananza / Handel -- O solitude / Purcell -- Stirb in mir / Bach -- Impious mortal / Handel -- By beauteous softness mixed / Purcell -- O magnum mysterium / Gabrieli -- Tune your harps / Handel -- Since first I saw your face / Ford -- Welcome as the dawn of day / Handel -- An evening hymn / Purcell -- Thou shalt bring them in / Handel -- Jerusalem, convertere / Couperin -- Or la tromba / Handel -- On the brow of Richmond Hill / Purcell -- Eternal source of light / Handel -- Vouchsafe, o Lord / Purcell. |
| Subject |
Oratorios -- Excerpts.
|
|
Oratorios -- Excerpts. |
|
Songs (High voice) with instrumental ensemble.
|
|
Songs (High voice) with instrumental ensemble. |
|
Vocal music -- 17th century.
|
|
Vocal music. |
| Chronological Term |
17th century |
| Genre/Form |
Vocal music.
|
| Subject |
Vocal music -- 18th century.
|
| Chronological Term |
18th century |
| Subject |
Motets.
|
|
Motets. |
| Chronological Term |
1600-1799 |
| Genre/Form |
Sound recordings.
|
|
Sound recordings.
|
|
Excerpts.
|
|
Excerpts.
|
| Added Author |
King, Robert, 1960- conductor.
|
|
Bach, Johann Sebastian, 1685-1750.
Matthäuspassion. Erbarme dich, erbarme dich, mein Gott.
|
|
Handel, George Frideric, 1685-1759.
Solomon. Almighty pow'r! who rul'st the earth and skies.
|
|
Purcell, Henry, 1659-1695.
Why, why are all the muses mute? Britain, thou now art great.
|
|
Handel, George Frideric, 1685-1759.
Choice of Hercules. Yet, can I hear that dulcet lay.
|
|
Handel, George Frideric, 1685-1759.
Sono liete, fortunate. Crudeltà nè lontananza.
|
|
Purcell, Henry, 1659-1695.
O solitude, my sweetest choice.
|
|
Bach, Johann Sebastian, 1685-1750.
Gott soll allein mein Herze haben. Stirb in mir, Welt.
|
|
Handel, George Frideric, 1685-1759.
Deborah. Impious mortal.
|
|
Purcell, Henry, 1659-1695.
Now does the glorious day appear. By beauteous softness.
|
|
Gabrieli, Giovanni, approximately 1554-1612.
O magnum mysterium.
|
|
Handel, George Frideric, 1685-1759.
Esther, HWV 50a. Tune, tune your harps to cheerful strains.
|
|
Ford, Thomas, -1648.
Musicke of sundrie kindes. Since first I saw your face.
|
|
Handel, George Frideric, 1685-1759.
Solomon. Welcome as the dawn of day to the pilgrim on his way.
|
|
Purcell, Henry, 1659-1695.
Now that the sun hath veiled his light.
|
|
Handel, George Frideric, 1685-1759.
Occasional oratorio. Thou shalt bring them in.
|
|
Couperin, François, 1668-1733.
Leçons de Ténèbres. No 1. Jerusalem, convertere.
|
|
Handel, George Frideric, 1685-1759.
Rinaldo. Or la tromba in suon festante.
|
|
Purcell, Henry, 1659-1695.
On the brow of Richmond Hill.
|
|
Handel, George Frideric, 1685-1759.
Ode for the birthday of Queen Anne. Eternal source of light divine.
|
|
Purcell, Henry, 1659-1695.
Te Deum and Jubilate. Vouchsafe, o Lord, to keep us this day.
|
|
King's Consort, performer.
|
| Added Title |
Come, tread the paths.
|
| Standard No. |
3457110018 |
| Music No. |
KING 3 Hyperion |
|
