| Description |
xiv, 318 pages : illustrations, charts ; 24 cm. |
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Nationality/regional group: nat Texans |
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Occupational/field of activity group: occ Music teachers |
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Occupational/field of activity group: occ University and college faculty members |
| Series |
The Oxford music / media series
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Oxford music/media series.
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| Bibliography |
Includes bibliographical references (pages 291-308) and index. |
| Contents |
Introduction -- Early theories of the sound film -- Theories of the classical sound film : grammars and typologies -- Language, semiotics, and Deleuze -- Neoformalism and four models of the soundtrack -- Narratology and the soundtrack -- Critical theory and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Theories of the digital soundtrack. |
| Subject |
Motion picture music -- History and criticism.
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Motion picture music. |
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Film soundtracks -- History and criticism.
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Film soundtracks. |
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Motion picture music -- Philosophy and aesthetics.
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Motion picture music -- Philosophy and aesthetics. |
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Filmmusik. |
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Theorie. |
| Genre/Form |
Criticism, interpretation, etc.
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| Other Form: |
Online version: Buhler, James, 1964- Theories of the soundtrack. New York : Oxford University Press, 2018 9780199371099 (DLC) 2018007713 |
| ISBN |
9780199371075 hardcover ; alkaline paper |
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0199371075 hardcover ; alkaline paper |
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9780199371082 paperback ; alkaline paper |
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0199371083 paperback ; alkaline paper |
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9780199371099 ePDF |
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