| Description |
416 pages : illustrations (some color) ; 26 cm |
| Contents |
Racial time, racial marks, racial metaphors / Coco Fusco -- Theoretical status of the concept of race / Howard Winant -- I. LOOKING UP/LOOKING DOWN -- Traffic in photographs / Allan Sekula -- Shadow and the substance: race, photography and the index / Nicholas Mirzoeff -- Looking for empire in the U.S. colonial archive / Javier Morillo-Alicea -- II. ASSIMILATE/IMPERSONATE -- Black bodies, white science: Louis Agassiz's slave daguerreotypes / Brian Wallis -- Prairie pinups: reconsidering historic portraits of American Indian women / Aleta M. Ringlero -- No-movies: the art of false documents / C. Ondine Chavoya -- III. HUMANIZE/FETISHIZE -- Skin head sex thing: racial difference and the homoerotic imaginary / Kobena Mercer -- Consumption of lynching images / Leigh Raiford -- Exposure / Deborah Willis -- IV. ALL FOR ONE/ONE FOR ALL -- On the matter of whiteness / Richard Dyer -- Autonomy and the archive in America: reexamining the intersection of photography and stereotype / Lauri Firstenberg -- Toyo Miyatake and "our world" / Karin Higa -- Passing likeness: Dorothea Lange's "migrant mother" and the paradox of iconicity / Sally Stein -- V. PROGRESS/REGRESS -- Where truth ends and fantasy begins: postcards from the South Pacific / Caroline Vercoe -- Morphologies: race as a visual technology / Jennifer González. |
| Subject |
Portrait photography -- United States -- Exhibitions.
|
|
Portrait photography. |
|
United States. |
|
Race awareness -- United States -- Pictorial works -- Exhibitions.
|
|
Race awareness. |
| Genre/Form |
Pictorial works.
|
|
Exhibition catalogs.
|
|
Exhibition catalogs.
|
|
Illustrated works.
|
|
Illustrated works.
|
| Added Author |
Fusco, Coco.
|
|
Wallis, Brian, 1953-
|
| ISBN |
0810946351 |
|
0810991659 paperback |
|
