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035    (OCoLC)ocn449853655 
035    508592 
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049    RIDM 
050  4 NX180.S6|bB47 2010 
082  4 973.04 
090    NX180.S6 B47 2010 
100 1  Berger, Maurice,|d1956-2020.|0https://id.loc.gov/
       authorities/names/n86078598 
245 10 For all the world to see :|bvisual culture and the 
       struggle for civil rights /|cMaurice Berger ; foreword by 
       Thulani Davis. 
264  1 New Haven :|bYale University Press,|c[2010] 
264  4 |c©2010 
300    xv, 207 pages :|billustrations (some color) ;|c26 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
500    "In collaboration with: Center for Art, Design and Visual 
       Culture, University of Maryland Baltimore County, National
       Museum of African American History and Culture, 
       Smithsonian Institution, Washington, D.C." 
500    Related exhibition held at the International Center of 
       Photography, New York, May 21-Sept. 12, 2010. 
504    Includes bibliographical references and index. 
505 0  Introduction: weapons of choice -- It keeps on rollin' 
       along: the status quo -- The new "new Negro": the culture 
       of positive images -- Plates -- "Let the world see what 
       I've seen": evidence and persuasion -- Guess who's coming 
       to dinner: broadcasting race -- Epilogue: in our lives we 
       are whole: the pictures of everyday life. 
520    In 1955, shortly after Emmett Till was murdered by white 
       supremacists in Mississippi, his grieving mother 
       distributed to the press a gruesome photograph of his 
       mutilated corpse. Asked why she would do this, she 
       explained that by witnessing with their own eyes the 
       brutality of segregation and racism, Americans would be 
       more likely to support the cause of racial justice. "Let 
       the world see what I've seen," was her reply. The 
       publication of the photograph inspired a generation of 
       activists to join the civil rights movement.  Despite this
       extraordinary episode, the story of visual culture's role 
       in the modern civil rights movement is rarely included in 
       its history. This is the first comprehensive examination 
       of the ways images mattered in the struggle, and it 
       investigates a broad range of media including photography,
       television, film, magazines, newspapers, and advertising. 
       These images were ever present and diverse: the startling 
       footage of southern white aggression and black suffering 
       that appeared night after night on television news 
       programs; the photographs of black achievers and martyrs 
       in Negro periodicals; the humble snapshot, no less 
       powerful in its ability to edify and motivate. In each 
       case, the war against racism was waged through pictures, 
       millions of points of light, millions of potent weapons 
       that forever changed a nation. This book allows us to see 
       and understand the crucial role that visual culture played
       in forever changing a nation. 
650  0 Race relations in art|vExhibitions. 
650  0 Art and race|0https://id.loc.gov/authorities/subjects/
       sh85007971|vExhibitions.|0https://id.loc.gov/authorities/
       subjects/sh99001275 
650  0 Civil rights movements|zUnited States|0https://id.loc.gov/
       authorities/subjects/sh2006008412|vExhibitions.|0https://
       id.loc.gov/authorities/subjects/sh99001275 
650  0 Civil rights movements|zUnited States|0https://id.loc.gov/
       authorities/subjects/sh2006008412|vPictorial works|0https:
       //id.loc.gov/authorities/subjects/sh99001272|vExhibitions.
       |0https://id.loc.gov/authorities/subjects/sh99001275 
650  0 African Americans in art|vExhibitions.|0https://id.loc.gov
       /authorities/subjects/sh2009113932 
650  0 African Americans in mass media|0https://id.loc.gov/
       authorities/subjects/sh89003661|vExhibitions.|0https://
       id.loc.gov/authorities/subjects/sh99001275 
650  0 Mass media|xSocial aspects|zUnited States|0https://
       id.loc.gov/authorities/subjects/sh2008107508|vExhibitions.
       |0https://id.loc.gov/authorities/subjects/sh99001275 
650  7 Art and race.|2fast|0https://id.worldcat.org/fast/815423 
650  7 Civil rights movements.|2fast|0https://id.worldcat.org/
       fast/862708 
650  7 African Americans in art.|2fast|0https://id.worldcat.org/
       fast/799722 
650  7 African Americans in mass media.|2fast|0https://
       id.worldcat.org/fast/799731 
650  7 Mass media|xSocial aspects.|2fast|0https://id.worldcat.org
       /fast/1011303 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655  7 Pictorial works.|2fast|0https://id.worldcat.org/fast/
       1423874 
655  7 Exhibition catalogs.|2lcgft|0https://id.loc.gov/
       authorities/genreForms/gf2014026098 
655  7 Exhibition catalogs.|2fast|0https://id.worldcat.org/fast/
       1424028 
655  7 Illustrated works.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2014026111 
655  7 Illustrated works.|2fast|0https://id.worldcat.org/fast/
       1423873 
710 2  International Center of Photography.|0https://id.loc.gov/
       authorities/names/n79072965 
901    MARCIVE 20231220 
935    508592 
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994    C0|bRID